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                    <text>Bottom Trawling and the Damage to Underwater Cultural Heritage: An Overview of
the Destruction and Possible Steps Forward
Charlotte Jarvis (The Ocean Foundation, Threats to Our Ocean Heritage Project Leader)
ABSTRACT
Trawling has long been regarded as a damaging practice and marine ecologists have lobbied for restrictions. The
damage to Underwater Cultural Heritage (UCH), however, has received less attention, though it is just as
consequential. This paper looks at UCH damage case studies and the impacts of heritage loss and then suggests
steps forward. The case studies in the paper will include the damage to UCH across the ocean and in the
Mediterranean and Black seas. Shipwrecks are as much part of the marine landscape, and thus of importance to
ecologists, as they are to the cultural, historical landscape. Yet nothing has been done to seriously limit trawling
and protect the underwater cultural landscape and archaeological impacts and data are missing from biological
reports on the process. No underwater policies based on cultural preservation have been formulated to manage
offshore fishing. There is a preferred policy for in situ preservation in the 2001 UNESCO Convention on the
Protection of Underwater Cultural Heritage and some practical measures for site managers to address the
threats from bottom trawling but if in situ preservation is to be supported, more needs to be done. Moorings can
be added and shipwrecks, if left in place, can become artificial reefs and places for more artisanal, sustainable
hook-and-line fishing. However, what is needed most is for states and international fishing organisations to ban
bottom trawling at and around identified UCH sites, as has been done for some seamounts.
This work is part of the Threats to Our Ocean Heritage project, a UN Decade for Ocean Science approved
Action discussing this issue of Trawling, Deep Seabed Mining, and Potentially Polluting Wrecks. The expected
results include ocean literacy that increases awareness of the issue to a wider range of stakeholders including
international organisations, states, and institutions with the authority to effectuate change.
Keywords: Underwater Cultural Heritage; Bottom Trawling; Maritime Archaeology

List of abbreviations
Exclusive Economic Zone (EEZ)
National Research Council (NRC)
Nautical Miles (nm)
Remotely Operated Vehicle (ROV)
Underwater Cultural Heritage (UCH)
United Nations Educational, Scientific and Cultural Organization (UNESCO)
List of figures
Figure 1: A beam trawler and an otter trawler.
Figure 2: A diver examining fishing debris on a shipwreck.
Figure 3: The intensity of trawling around the globe, focused in coastal regions in tonnes per
kilometres squared.
Figure 4: Evidence of fishermen respecting prohibited zones in Southwest Turkey.

INTRODUCTION
Trawling has been recognised as a catastrophically damaging practice with lasting
negative consequences on seabed ecology and marine life. Less well known though are the
dramatic effects trawling has also had on maritime archaeology sites. Although legislation limiting
trawling may help biological communities rebound, the archaeological material lost can never be
recovered. Restrictions must be passed as soon as possible to prevent further material and heritage
destruction.

1

�Bottom, or beam, trawling refers to the practice of pulling a net behind a boat to catch fish. Trawling
grew from a need to keep up with declining fish stocks and developed further with technological
changes and increased demands, though fishermen constantly complained about the problems in
overfishing it created. All three trawling revolutions—invention, mechanisation, and later deep-water
expansion—have been met with controversy and pushback from the public and conservationists alike
(Roberts 2008, 133). Yet nothing has been done to seriously limit the practice and protect the
submerged cultural landscape. Crucially, archaeological impacts and data are also missing from
biological reports and published articles on the practice.
Trawling developed from the practice of fishing with a net, but that older style was more controlled.
Fishermen knew what they were going to pull up each time and rarely had surprises. With bottom
trawling, nets are weighted to keep them low along the sea floor and a large beam on deck spread the
nets wide to increase catch. This practice of dragging nets along the bottom of the sea, according to
historian Jeffery Bolster (2012), redefined the fisherman’s relationship with the fish and it became an
exploitative relationship. The practice has enabled humans to both exploit the sea and destroy their
own history at the same time.
There is no doubt that trawling has decimated fish stocks globally and brought hardship on fishing
communities. Today’s boats must work an estimated 17 times harder than in the past because there
are literally fewer fish in the sea (Roberts 2012, 44). With one pass by a trawler, boulders can be
displaced, large epifaunal invertebrates removed and damaged, and sediment re-suspended (Freese et
al. 1999, 119). Structural components of fish habitats are removed, and biodiversity is lost. The
effects have been likened to clear cutting a forest, or strip mining.
This paper serves as a call for action to address the threats to our ocean heritage from the long history
of the destructive activities of bottom trawling. Calum Roberts (2012, 6) writes that the ‘impacts [of
trawling] are discussed in isolation and different meetings and by different people who never quite see
the picture’. He is referring to different people within the marine scientific fields such as those
focused on fishery sciences or pollution. His point holds true, though, with a group of people many do
not consider to be ocean heritage professionals: maritime archaeologists or underwater cultural
heritage professionals.
Although efforts to illustrate sustainability in seafood, such as the Marine Stewardship Council stamp,
may attempt to show safe fishing practices, one can never be sure of the wider harm being done,
especially to UCH. Some conservationists, including Roberts (2008, 348), argue that trawling should
be limited to locations where it does not harm the ecological landscape. Maritime archaeologists and
marine ecologists need to communicate and work together to lobby for moratoria on trawling.
Shipwrecks are as much part of the marine landscape, and thus of importance to ecologists, as they
are to the cultural and historical landscape.

History of Trawling
First Revolution
As far back as 1376, the English parliament was already worried about the destructive nature of
trawling to fish populations and habitats, noting that trawling ‘runs so heavily and hardly over the
ground when fishing that it destroys the flowers of the land’ and takes so many fish ‘to the great
damage of the commons and the destruction of the fisheries’ (Petition by the Commons to King
Edward III, 1376 seen in Bolster 2012, 235). Trawling in Europe continued sporadically through the
medieval and early modern periods until the early nineteenth century when the industrial revolution
pushed trawling technology further.

2

�Second Revolution
By 1840, fishermen, using sail power, were already noticing depleted stocks, so changes developed
out of a necessity to compensate for a declining catch. Enter steam-powered vessels, which could
gather four times more fish per catch than a sailing vessel (Bolster 2012, 237). These vessels were not
limited by weather and had the strength to power nets with chain reinforcements on the seafloor. This,
by the end of the nineteenth century, enabled the transition to the otter trawl, where two ‘doors’ are
used to open the nets easily, accommodating larger nets (NRC 2002, 14).

Figure 1: A beam trawl (top) and otter trawl (bottom). (Source: Ecomare, licensed under
the Creative Commons Attribution-Share Alike 4.0 International)

Third Revolution
Arguably the most detrimental technological advance came after World War II. Factory-sized,
freezer-equipped trawlers appeared and changed fishing practices. These vessels had stern ramps to
accommodate larger nets and brought quick-freeze facilities, storage, and fishmeal processing
machines onboard. Trawling spread to the deep sea, spearheaded by the Soviet Union but quickly
growing into a global industry. The 1950s and 1960s saw the rise of echo sounders and access to areas
beyond the reach of shallow trawls. But these new fishing grounds often had rough seafloors that
shredded the nets. In response, an innovation was born that significantly increased the destructive
power of the trawls. ‘Rockhopper gears’, up to one metre in diametre and weighing hundreds of kilos,
are massive steel rubber rollers and chains attached to trawl nets, enabling them to grate flat over the
seafloor, destroying everything in their path (Atkinson 2012, 16)
3

�Commercial fishermen now had the technology to send their boats out for longer, fish further away,
and fish faster with larger nets (NRC 2002, 12). Eastern European nations took this to a new level,
creating ‘floating towns built for the sole purpose of processing marine life into food’ (Roberts 2008,
189). Biologically productive deep seamounts became the new targets and using sonar, vessels could
trawl through a large group of fish taking in 50 to 60 tons in a few minutes (Roberts 2008, 291).
Today, trawling has grown to previously unimaginable rates. The nets used cut paths through the
seafloor at least 100 metres wide and four stories tall, pulling in fish at staggering and unsustainable
rates. Many nets are made of synthetic materials which do not break easily when snagged, allowing
for higher powered vessels (Brennan 2016, 158). These nets also make up the largest portion of
marine debris and plastic pollution in the ocean. With improved gear and electronics, vessels can map
the seafloor, fish very close to bottom features, drag nets over rougher seafloor than before (Dorsey
1998, 2), and decimate fish populations and UCH sites across the ocean. This destruction of natural
heritage has been well documented and there are some promising studies in UCH damage from
trawling that will be explored next.

Figure 2: A diver examines debris left from fishing gear in the Stellwagen Bank Marine Sanctuary, a nationally
protected area in the United States that allows trawling and fishing within its borders. Almost all wrecks in this
protected area have been impacted by trawling (Marx 2010) (Image source: National Oceanic and Atmospheric
Administration, https://stellwagen.noaa.gov/protect/shipwrecks.html).

4

�CASE STUDIES
Coastal Trawling and the Continental Shelf
Coastal seas are some of the most ecologically productive areas with delicate plants and marine life
and complex ecological systems. A 2021 report found that trawling is the most intense in the
territorial (12 nautical miles (nm) offshore) seas of coastal states (Steadman et al. 2021, 5; Pauly,
Zeller, and Palomares 2020) and is illustrated in figure 3.

Figure 3: The intensity of trawling around the globe, focused in coastal regions in tonnes per kilometre squared
(Source: Pauly, Zeller, Palomares 2020, printed under Creative Commons Attribution Non-Commercial 4.0
International License).

Coastal trawling is also particularly destructive to UCH, since it is where most known wrecks are
located (Atkinson 2012, 11). For example, of the more than 100 shipwrecks in Turkish waters, 16
were observed within trawling boundaries in the Aegean Sea to quantify damage. Researchers found
these wrecks with trawl scars running across the site (Brennan et al. 2012). Off the coast of Northern
Italy, the Mercure wreck was discovered after historic material was found in a trawl net, and further
research showed that trawling nets had spread the vessel and is artefacts across an area of 100 meters
(Atkinson 2012, 53).
Many wrecks in the Asia Pacific region lie in areas of heavy trawling activity and the wreck timbers
have already been damaged. For example, Sten Sjostrand identified 15th- and 16th-century wrecks off
the coast of Malaysia, and both were damaged by the time he returned even though the 15th-century
wreck once stood 1.8 metres off the seabed (Atkinson 2012, 49). Three kilometres west of Ko Si
Chang, Thailand, the Chang I wreck was found when trawl nets stuck to it during a survey in 1981,
and archaeological survey markers were left behind. By the time archaeologists revisited the site in
1983, the markers were missing, likely sheared off by trawl gear (Green et al. 1986, 108). Off the
coast of New South Wales, Australia, many wrecks have been impacted by scallop dredgers including
the City of Launceston, Euralba, Eleutheria, the Isis, and the Lady Darling (Atkinson 2012, 53).

5

�It is not just shipwrecks being destroyed, though. Rising sea levels have put many prehistoric
landscapes under coastal waters today. Among the sites worst affected by trawlers is Doggerland, a
30,000-square-kilometre area inhabited during the Mesolithic period (8,000 years ago), which is now
under the waters of the North Sea. Hundreds of stone tools have been dragged up over the centuries as
it has been bulldozed by trawlers (Atkinson 2012, 68). This area is a valuable example of a site that is
both a paleo seascape as well as a site of past human inhabitation.
Also in the North Sea, near Brown Bank, Dutch fishermen found items dating to 7200-6000 BC and
near Colijnsplaat, Netherlands, when Roman alter stones were dragged up. Even a Neanderthal skull
fragment has been found in this area. Off the coast of England, a Saxon period longshore post was
visible at low tide, with trawl damage obvious. There are many examples of this in North America
too. As a result of deglaciation and isostatic uplift, many sites of the First Americans are now covered
by water. Fishermen off the coast of New England have reported findings of tools from the Middle
Archaic period and off Virginia a mastodon skull and a stone biface were discovered (Atkinson 2012,
55, 56, 64, 66).
Submersible surveys have also discovered shipwrecks that have already been damaged by trawlers on
the Continental Shelves (12nm to 200nm from the coast and &gt;200 m deep). In the Bulgarian Black
Sea, trawling methods reach down about 100 m on the shelf (limit of trawling depth here) to catch sea
snails, clams, and other benthic species and have been a significant practice for decades, unregulated
by the government (Prahov et al. 2021, 748 and 749). Since 2010, surveys have been conducted to
monitor the damage to wrecks, but no adequate prevention measures have been taken (Prahov 2021,
749).
The issue of heritage destruction by trawling is also important to the Asia-Pacific Region because
traditionally, trawling studies with UCH have focused on European and North American waters, even
though roughly 50 per cent (over the last decade of available data) of all bottom trawled fish come
from the continental shelf/EEZs of Asian nations or the foreign fleets of Asian countries (Steadman et
al. 2021, 5).
Deep Sea Trawling and The High Seas
As technology improved and moved further out to the seamounts in the deep sea, more UCH sites
must be protected from trawling. The deep-water sites are further from anthropocentric damage and
valuable resources due to their in-accessibility. Remotely Operated Vehicle (ROV) technology has
allowed previously impossible deep-sea (more than 200 m deep) exploration and has revealed
beautiful, complex habitats. Stunning corals and rich communities are now visible, yet most already
showed trawl scars and broken fishing gear. Today’s trawls can reach depths of 2000 m and
everywhere scientists look they see evidence of trawling destruction and no evidence of recovery
(Victorero et al 2018, 2).
There is also evidence of trawl damage on deep-water wrecks off the coast of Turkey along its
Mediterranean, Aegean, and Black Sea shores (Brennan et al 2016). Michael Brennan’s (et al 2012,
55) work in studying wrecks in Aegean Turkish waters below diving depth, showcases the damage
trawling can do and the high stakes of what is being lost. The studied sites range in depth from 82410 m deep and cover centuries of history (Brennan et al 2012, 64). In the Black Sea, Ereğli E, one of
the oldest deep-water wrecks yet discovered, could have been one of the most significant wrecks ever
found in the area, but by the time it was found in 2011, it had already been nearly destroyed by
trawling (Brennan et al 2016, 84).
In the Pacific, though New Zealand is the only main participant of deep-water trawling over
seamounts in the high seas of the South Pacific, there are a handful of active vessels in the North and
the existing and potential future damage done must be discussed (Thomas 2022). There are hundreds
of years of history preserved on the Pacific seafloor and immeasurable quantities of intangible cultural
heritage that need to be protected.
6

�FRAMEWORK
The case studies and research show how bottom trawling is not only a threat to our natural heritage
but are clearly a major threat to UCH. The stories of our societies and our ancestors are wrapped in
intangible connection with the ocean and captured on the seafloor as artefacts, shipwrecks, and
remains of those lost or buried at sea. Marine global heritage has largely been based on natural
heritage. However, UCH is also ocean heritage and must be respected in the same way.
Cultural heritage and natural heritage are intertwined when it comes to the ocean. UCH can support
ecological marine biodiversity and helps boost sea connectivity. Natali Pearson and Benjamin
Thompson (2023, 3) argue that it is beneficial for sites with high UCH and high natural heritage to cooccur and be used strategically together. Over time, shipwrecks come into equilibrium with the
marine environment around them and become part of the benthic topography (Brennan 2016, 172).
Trawling rapidly destroys this equilibrium, which often has been balanced for centuries (Brennan et
al. 2013, 99). Shipwrecks often function as artificial reefs providing habitats, shelter, and adding hard
materials to an otherwise soft seafloor. Michael Brennan’s (2016, 172 ; Krumholz and Brennan 2015)
research on the Knidos shipwrecks along the Aegean coast of Turkey indicates that lightly trawled
ancient wrecks with structures on the seafloor still exhibit more fish population and biomass than
heavily trawled wreck sites with little or no structure remaining. Through this process of ‘spill over’,
protected shipwrecks can help increase the strength of surrounding fish stocks. Shipwrecks can be as
indispensable to the seafloor ecology as a natural coral reef or seamount. Thus, shipwrecks should not
be viewed solely in a cultural significance context; they are part of the natural ocean landscape as well
as our cultural history.

RESULTS
The results of this paper are a suggestion of steps forward. Underwater policies formulated to manage
offshore fishing based on cultural preservation are lacking. Some trawling restrictions were placed
after backlash in the 1990s when ecologists and fisheries experts, well aware of the dangers of
trawling, lobbied for more restrictions. This research and advocacy for regulation are a good start.
There is a preferred policy for in situ preservation by archaeologists and historians codified in the
2001 UNESCO Convention on the Protection of Underwater Cultural Heritage but some practical
measures for site managers to address the threats from bottom trawling are needed. If in situ
preservation is to be supported, moorings should be added for shipwrecks that are destinations for
ecocultural tourism. As artificial reefs they may be appropriate places for more artisanal, sustainable
hook-and-line fishing. However, what is needed most is for states and international fishing
organisations to ban bottom trawling at and around identified UCH sites, as has already been done
for some seamounts. Most importantly, trawling damage should not be allowed as a justification
for salvage.
The author recognises that these results cannot be achieved without the voice and support of the
fishing community. Wrecks, however, also present problems to fishermen. When nets snag, gear is
lost or ruined and can be costly to replace. Shipwrecks can also endanger the lives of those onboard
vessels. In Britain from 1976 to 2005 around 16 vessels capsized after gear was snagged on
obstructions and many lives were lost (Atkinson 2012, 3). Although some shipwreck sites have only
been found because of fishermen’s reports, there is no requirement for fishermen to do so.
Collaboration and partnership between archaeologist and fisherman is needed and archaeologists must
understand the context fishermen operate in to communicate effectively (Brennan et al. 2012, 62; see
Figure 4).

7

�Figure 4: Evidence of fishermen respecting prohibited zones in Southwest Turkey: dark grey area shows a zone
where trawling is prohibited, dots show visible trawl scars on the seabed (Source: Brennan et al. 2012, 62 reprinted
with permission).

What we do with trawling can pave the way for other important ocean exploitation. Climate change
will continue to threaten our oceans (for example, sea-level-rise sinking previously terrestrial sites)
and we know ecologically why it is important to protect the ocean. While there are many unknowns in
deep sea biodiversity and ecosystem services, what we do know clearly points to vast and far-reaching
damage. In other words, we know enough from existing trawling damage that tells us we should stop
similar practices, like seabed mining. We cannot predict undiscovered historical significance.
Trawling is a clear and present threat not only to fish populations and habitats, but also to submerged
cultural landscapes. There should not be a choice between humans and the natural world. Restrictions
such as the options above, must be passed as soon as possible to prevent further material and heritage
destruction.

Acknowledgements Thank you to The Ocean Foundation, The Lloyd’s Register Foundation Heritage and Education Centre,
ICOMOS-ICUCH, and Ocean Decade Heritage Network for their support of this paper and the Threats to Our Ocean
Heritage project. Thank you to Mark Spalding, Ole Varmer, Alexandra Refosco, Michael Brennan, Jim Delgado, Louise
Sanger, and Ben Ferrari for their help developing the ideas that are reflected here. Thank you to Claire Zak and Sheri
Kapahnke for hosting a session and a dynamic discussion on Coastal UCH sites at the EAA meeting in 2022 that sparked the
idea to pursue this research.

8

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Coalition, September 29, 2022. https://savethehighseas.org/2022/09/29/new-zealands-bottom-trawling-isolationcontinues-in-the-south-pacific/.
Victorero, Lissette, Les Watling, Maria L. Deng Palomares, and Claire Nouvian. “Out of Sight, But Within Reach: A Global
History of Bottom-Trawled Deep-Sea Fisheries From &gt;400 m Depth.” Frontiers in Marine Science 5 (2018).

9

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                <text>Trawling has long been regarded as a damaging practice and marine ecologists have lobbied for restrictions. The&#13;
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                <text>Jarvis, Charlotte . 2023. “Bottom Trawling and the Damage to Underwater Cultural Heritage: An Overview of the Destruction and Possible Steps Forward.” Edited by Jennifer Craig, Jay Mok, T. Kurt Knoerl, and Ole Varmer. In Proceedings of Fifth Asia Pacific Regional Conference on Underwater Cultural Heritage: Gwangju, The Republic of Korea, November 13-18 2023. The Museum of Underwater Archaeology. URL: https://apconf.omeka.net/exhibits/show/apconfproceedings/item/1904 </text>
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                    <text>Bringing Asia to the World: Public Outreach via the
Museum of Underwater Archaeology
Michelle Damian

Abstract
The most fascinating explorations of underwater cultural heritage lose much of their value if the
information gathered is not disseminated to a wide audience. While much of our public outreach
has traditionally come from publications and conference talks, the Internet has become the
fastest way to reach the greatest numbers of people. Though technology for website creation has
become easier in recent years many archaeologists lack the time and expertise, not only to
create web sites, but also to promote them in ways that will reach the widest possible audience.
The Museum of Underwater Archaeology (MUA)’s mission is to assist and promote the use of the
Internet by ethical professional, student, and avocational underwater archaeologists.
This paper will focus on the various methods the MUA uses to present different projects,
with a special spotlight on our Asian sites. It will also highlight ways to connect what is on the
screen to actual hands-on experiences through different classroom-based teaching resources
developed by the museum.

Introduction
As archaeologists we are responsible for disseminating information about the
projects we conduct. Unfortunately those ideas are often pushed aside in the
excitement of digging a new site. The often-heard lament is that archaeologists
like to be in the field, but are less inclined to publish their findings. The nonprofit
Museum of Underwater Archaeology (MUA) was founded in 2004 in an effort to
combat this problem (http://www.themua.org). Our mission statement is to assist
and promote the use of the Internet by ethical professional, student, and
avocational underwater archaeologists, encouraging archaeologists at all levels
to circulate information about our craft.
From the outset the MUA has tried not to focus on one particular nation or
territory. Although it was founded in the United States it has sought to provide
global coverage of underwater archaeology and to that end has made concerted
efforts to introduce its audience to projects outside of the western hemisphere.
We have an established audience: to date we have had over one hundred
sixteen thousand views from over ninety countries on the main page, let alone all
of the individual projects and subposts throughout the site. We do not charge any
fees, but make our services available for free to all ethical archaeologists. The
Asia-Pacific region is of particular importance to the MUA. The underwater
cultural heritage of this area includes some of the most significant shipwrecks in
human history and so requires due attention, preservation, and curation. The
MUA seeks to assist underwater archaeologists working within this region with
their public outreach efforts. This paper will discuss not only the publishing
options available on the MUA website but also our past efforts within the AsiaPacific territories included in this conference. Our hope is to provide greater
coverage and assistance to the conference attendees in the future.

�There are numerous benefits to posting one’s research online. First and
foremost is the need to publish our findings for the general public as well as our
professional colleagues. The best discovery is meaningless if the information
remains unavailable, locked away on a dusty shelf in a small office. A typical
archaeological investigation publishes results through a journal article or two, or
perhaps in a presentation at a conference. That results in a highly limited,
specialized audience. Conversely, online publishing can reach a worldwide
audience literally at the click of a button. Promoting this information helps draw
greater numbers of viewers to our projects, in turn hopefully increasing interest in
preserving our underwater cultural heritage.
Posting project reports online for a general audience can also be helpful to
the individual authors. I have posted my own research as a project journal on the
MUA, and I as well as other authors have been fortunate enough to gather
additional information from readers who contribute their own observations. While
those comments can occasionally be somewhat off-topic, often readers will
provide helpful information or suggestions for further research. The internet
allows us to connect with others whom we may never have reached otherwise.
On a very pragmatic level, particularly for students and young archaeologists, it
also helps to increase name recognition. My own research as posted on the MUA
has been seen by over seven thousand people, and in the “real world” I have
encountered archaeologists working on projects as diverse as Confederate
submarines or American government preservation projects who have read my
Asia-related work on the MUA. It is highly unlikely that our paths would have
crossed in any other way.

MUA Presentation Styles
The MUA’s presentation formats consist of three major categories as well as
several experimental designs. The most in-depth category is museum exhibits,
generally focusing on a detailed presentation of a single site or concept. Based
on the idea of a brick-and-mortar museum, exhibits consist of several “galleries,”
similar to walking into a room of a museum. Within each gallery are a number of
clickable links, representing the “artifact cases” of a traditional museum exhibit.
MUA exhibits most often consist of three galleries, usually focusing on the
history, methodology, and findings of an archaeological investigation. Each
gallery might have anywhere between five and twelve links, allowing the
archaeologists to introduce numerous aspects of the site. While at present there
are no exhibits focusing on an Australasian maritime site, the MUA is eager to
develop one with a partner from the region.
The exhibit format is not limited to site-specific topics, but is also used to
explore more conceptual frameworks. The two best examples of this are the
“Raising the Fleet” and the “Children’s Introduction to Underwater Archaeology”
exhibits. The former highlights the synthesis of science with art. In the project
director’s words, “the exhibit team used their artistic talents and scientific
expertise to develop new and exciting methods of exploring the underwater
frontiers of Lake George, New York, USA” (Zarzynski, et al. 2010). This not only

�brought a new perspective into the archaeology of Lake George, but it also
broadened the appeal of the site to artists and scientists as well. Similarly, the
“Children’s Introduction” was designed to target the younger generation, teaching
the basic steps of any underwater archaeological investigation. This exhibit
incorporates interactive exercises encouraging the viewer to solve problems or
explore the tools of maritime archaeology (Knoerl and Damian 2006). Neither
exhibit is limited to a particular geographic locale, but encourages a topical
approach to the concepts introduced.
Project journals also highlight one site or project, but are less structured
than the exhibit galleries. They are generally conducted in “real time,” following
an individual or group throughout the course of a project in a bloglike format. This
type of MUA submission is most often utilized in a field school or student project,
though it is not restricted to those submissions. Through periodic updates for
projects spanning anything from two weeks to several years, the audience
follows along with the archaeologists on their investigations. We are fortunate to
have several Asia-based project journals, including a survey by the USA-based
company Southeastern Archaeological Research, Inc. (SEARCH), of World War
Two landing sites in Saipan. The SEARCH team worked in conjunction with the
Commonwealth of the Northern Mariana Islands Historic Preservation Office in
Partnership with the National Park Service, Department of the Interior, to identify
and record magnetic anomalies along Saipan’s coastline. SEARCH also used
their project journal to appeal to the general readership for additional information
about the invasion as well as for insight into some of the artifacts found (Burns
and Krivor 2008).
Our most common form of project journal is conducted in conjunction with
training projects. Particularly in teaching underwater archaeology, many
instructors are likely to focus on mapping, research, and technologies used for a
project. Dissemination of information often gets short shrift in the classroom. The
project journal format offers a way to incorporate public outreach and publication
into the field experience itself. Assigning students entries in a project journal
reinforces the need to present the work to a variety of audiences. The success of
the first university field school project journal, done by East Carolina University in
2006, prompted Flinders University in Australia to incorporate the same training
for their students. Two consecutive field schools in 2007 and 2008 showcased
students learning maritime archaeological techniques and crafting journal entries
that described their daily activities in an entertaining and informative manner
(Flinders University 2007). The UNESCO Project on Safeguarding the
Underwater Cultural Heritage of Asia and the Pacific is another Asia-based
example of the field school project journal. This enterprise, conducted in Sri
Lanka, trained the future trainers of maritime archaeology. Fourteen maritime
archaeologists and conservators participated in a two-week series of lectures
and fieldwork for the long-term goal of protecting Sri Lankan maritime heritage.
This journal highlights international cooperation as well, as instructors came from
within Sri Lanka, India, Japan, and Australia (Khan, et al. 2008). The various
perspectives from within Australasia are brought together in this type of
collaborative field school project journal.

�Figure 1. Sample page from the Sri Lanka field school project journal
(Sanath 2008)
A third variant of project journal focuses on student research, chronicling a
single graduate student’s advanced research. This is exemplified in our final
example of an Asian-based project journal, my own master’s program research
at East Carolina University. My project focused on examining representations of
Japanese wooden boats in the late eighteenth and early nineteenth centuries, a
topic that has gone almost entirely unstudied in Western scholarship. As such,
resources were scarce, and I wanted both to cast a wide net to gather
information and to promote this topic to an audience that was likely largely
unfamiliar with Asian maritime history (Damian 2005). These types of projects
are a fantastic chance for individual students to promote their own research as
well as disseminate information about their studies. The versatility of this format
is apparent, as fully half of all the MUA’s project journals are Australasian-based,
and have been produced by students, professionals, non-profits, and instructors.
The third major category of MUA presentation is the “In the Field.” These
are brief entries, usually only a page or two of text with three or four illustrations.
This type of entry is ideal for shorter projects or for those individuals or groups
who want to introduce their work to a global audience via the MUA. We have
several Australasian In the Fields that showcase a variety of topics. Warang
Petch, a student at Silpakorn University, Thailand, wrote about overcoming the

�challenges of obtaining underwater archaeology training in an area with no
formal university program (Petch 2007). An Australian avocational group, the
Pericles Research Group, described the history of the White Star Line’s SS
Pericles and their work mapping its wreck (Pericles Research Group 2006). The
chronicle of the General Harrison, written by James Delgado, is based in San
Francisco and is at first glance not an Asian story. Through reading this post,
however, we learn about the Chinese diaspora, as Delgado describes the
evidence of Chinese workers in Gold Rush era California (Delgado 2010). An
even more dramatic tale of Chinese emigration is evident in posts by Dione Chen
on the Free China, an early 20th-century Chinese junk that crossed the Pacific
and is desperately awaiting preservation in a California shipyard today (Chen
2009). These relatively brief posts are wonderful examples of different
manifestations of Australasian maritime archaeological and historical issues.

Figure 2. "In the Field" post calling for preservation of a Chinese junk
(Chen 2009)
The MUA is also exploring other presentation methods. Recent
innovations include the periodic Guest Blogger, which invites leaders in the field
to discuss key topics and concerns in maritime archaeology. This conference has
been highlighted in the guest blog by Mark Staniforth, and in August 2011
another Pacific Rim country was featured for the first time as Peruvian

�archaeologist Carlos E. Ausejo submitted a state of the field report. We also have
begun creating online posters that incorporate a number of pictures into a
zoomable poster-style presentation, allowing for a variety of images and videos
to be visible on the same page. Flinders University’s most recent field school
posting from 2010 is presented in this way (Flinders University 2010).
We draw our contributors from all levels of archaeology, so long as those
archaeologists subscribe to the Code of Ethics as put forth by the USA-based
Society for Historical Archaeology. Each post undergoes minimal editing for
grammatical clarity, and although the MUA reserves the right to edit content, we
strive to maintain the integrity of the original authors’ words and formats.

Additional Outreach
A final step in the MUA’s outreach includes moving out of the online realm and
into the classroom. At present there are over three hundred pages of content on
the MUA, by over seventy archaeologists from six continents. This represents an
invaluable collection of information about sites and projects from a myriad of
perspectives worldwide. In the online world, however, people want new, updated
content constantly, often relegating previous posts to obscurity. This does not
negate the validity and importance of those earlier contributions, though. To
maintain the current relevance of all of the posts online, we work to use that
information in other ways as well. We feel that students especially can benefit
from our contributors’ experiences, and have targeted younger students in some
of our outreach efforts.
Our flagship student outreach program includes the classroom kit,
“Holding History in Your Hand,” based loosely on the framework outlined in the
Children’s Introduction to Underwater Archaeology exhibit (MUA 2008). We have
gathered materials for teachers to use in the schoolroom, including a written
curriculum presenting the six steps of the archaeological process, replicas of
artifacts for examination, videos, a sidescan sonar slideshow, and other activities
for further exploration. The lesson plan familiarizes the teacher with the items
and information in the kit, and allows them to teach their classroom about the
basic steps of a maritime archaeology project. In order to make this kit as easily
available as possible, we only charge a shipping and handling fee; no money is
collected for the kit itself. To date it has been widely distributed throughout the
world including numerous kits sent to western Australia and the Republic of
Korea.
The most critical step in the program is the artifact analysis, in which
students are each given an “artifact” similar to one they might find on a shipwreck
site – beads, buttons, plain and decorative ceramics, bone, glass, coins, brick,
and more. Students are encouraged to examine their artifact for clues as to
where it might have come from, what its function was, and whether it was
manmade or natural. The teacher then posits several questions to encourage the
students to think about the fictitious wreck site. Who might use a fancy pottery
piece? What if there are a lot of plain ceramics and fewer fancy pieces? Where is
the coin from? What might the marks on the bone mean? Through examining the

�artifacts and questioning the relationship between them, students recognize that
we are not only investigating the objects, but more importantly are learning about
the people associated with the wreck site.

Figure 3. Students examine a replica "artifact" as part of the classroom kit artifact
exercise. Photo by author, 2005.
This process also encourages students to recognize the importance of
provenience and site preservation. When the students have thought through the
ramifications of the presence of the various objects, we then suggest that they
consider what happens in their absence. Perhaps they have decided that a site
with a large amount of decorative ceramics may have been a trade ship, sunk on
the way to deliver its wares. We then ask them to imagine the consequences of
sport divers on a site, one by one each taking away a piece of those ceramics as
a souvenir – and giving the archaeologist fewer clues to work from to understand
the history of the ship and its people. Invariably the students, having just gone
through the reasoning process themselves, are shocked and saddened to think
that we may no longer have the tools to piece together the ship’s story. Instilling
these ideas at a younger age will help the next generation be more concerned
about preserving our maritime cultural heritage.
As an additional follow-up to the classroom kit, we also provide online
“learning paths” for students and teachers who may want to further explore
particular topics or the MUA as a whole. The original MUA learning paths were
divided by age group, with a designated page that asked additional ageappropriate questions and suggested links within the MUA that addressed the

�answers. Students are encouraged to read the linked pages to draw their own
conclusions. This again allows older content to remain fresh and in use, even if
the posts themselves are several years old. We are excited to announce the first
of our regional-based learning paths, highlighting thematic approaches to some
of the issues discussed in the Asian projects on the MUA. Using posts from the
Pacific and Indian Oceans, we encourage readers to consider topics ranging
from maritime archaeological training, to Asian ship construction, problems in
interpreting evidence, remnants of war, and the Asian diaspora. We hope to
continue to add to these learning paths with additional contributions to the MUA.
Finally, we have also created a pdf compilation of the first year of guest
blogger posts, containing contributions from eminent archaeologists such as
James Delgado, Joe Flatman, Felipe Castro and more. Taken together these
essays become an excellent introduction to the state of the field and would be a
useful learning tool particularly in an undergraduate class on maritime
archaeology.

Conclusion
We are grateful for the opportunity to discuss the MUA at this first Asia-Pacific
conference on maritime cultural heritage, and hope to be able to increase our
service here in Asia and the Pacific. We strongly encourage anyone interested in
promoting their work on the MUA to contact us. We also welcome additional
volunteers who may be willing to help us expand our offerings. Please do not
hesitate to contact us with additional questions, suggestions, or potential posts.
We look forward to continuing to work to make information about our global
maritime cultural heritage available at the click of a button to archaeologists, the
general public, and students throughout the world.

Bibliography
(NOTE: All the Websites listed here are hosted on the Museum of
Underwater Archaeology webpage address)
Burns, J.,
and Krivor
M.,
2008
Chen, D.,
2009
Damian, M.,
2005
Delgado, J.,
2010
Flinders
University

Underwater Archaeology Invasion Beaches Survey 2008: Plane
Wrecks, Viewed 12 October 2011.
http://www.uri.edu/artsci/his/mua/project_journals/saipan/saipan_55.shtml
A Junk At Risk, Viewed 12 October 2011.
http://www.uri.edu/artsci/his/mua/in_the_field/junk.shtml
Japanese Wooden Boats in Woodblock Prints: A Research Project
Journal, Viewed 12 October 2011.
http://www.uri.edu/artsci/his/mua/project_journals/aj/aj_intro.shtml
A Long Forgotten Buried Ship, Viewed 12 October 2011.
http://www.uri.edu/artsci/his/mua/in_the_field/jd2.shtml
Flinders University Field School in Underwater Archaeology, Viewed
12 October 2011.

�2007
and
2008
Flinders
University
2010
Khan, A. et
al. 2008
Knoerl,
T.
K., ed.
2010
Knoerl,
T.
K.,
and
Damian, M.,
2006
The
Museum of
Underwater
Archaeology
2008
Pericles
Research
Group
2006
Petch, W.,
2007
Sanath, W.
K.
Zarzynski,
J., Bowser,
S.,
and
Mossop, E.,
2010

http://www.uri.edu/artsci/his/mua/project_journals/flinders/flinders_intro
.shtml
Flinders University’s Streaky Bay and Sceale Bay: Field School
February 2010, Viewed 12 October 2011.
http://www.uri.edu/artsci/his/mua/posters/flinders2010.html
UNESCO Training Project Journal, Viewed 12 October 2011.
http://www.uri.edu/artsci/his/mua/project_journals/un/un_intro.shtml.
The Museum of Underwater Archaeology Guest Blogger Anthology.
Viewed
12
October
2011.
http://www.uri.edu/artsci/his/mua/documents/MUA_Guest_Blogger_An
thology.pdf
A Children’s Introduction to Underwater Archaeology, Viewed 12
October 2011.
http://www.uri.edu/artsci/his/mua/HTMLTEST/childrens.htm.
Teaching Resource, Viewed 12 October 2011.
http://www.uri.edu/artsci/his/mua/teaching.html

Initial Investigation of the SS Pericles, Viewed 12 October 2011.
http://www.uri.edu/artsci/his/mua/pericles.html

Underwater Archaeology Training Project: Hin Bush Shipwreck Site,
Rayong, Thailand, Viewed 12 October 2011.
http://www.uri.edu/artsci/his/mua/in_the_field/thai.html
End of the Earl, Viewed 12 October 2011.
http://www.uri.edu/artsci/his/mua/project_journals/un/un4-5.shtml
Raising the Fleet: An Art/Science Initiative, Viewed 12 October 2011.
http://www.themua.org/raisingthefleet/index.php

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                    <text>Building Capacity in the South West Pacific – The Norfolk
Island Maritime Archaeological Association
Andrew Viduka
PhD Student
University of New England
akudiv@gmail.com
Abstract:
The Australian Government Department of the Environment and Energy
administers the Commonwealth Historic Shipwrecks Act 1976 and the
National Historic Shipwrecks Program. This Program enables the
Department to work with the States, the Northern Territory and Norfolk
Island to protect historic shipwrecks.
With the wealth of maritime history on Norfolk Island and the strong
associations with Pitcairn Island, the potential for involving the broader
community in documenting and protecting Norfolk Island's wonderful
maritime heritage is significant. In 2010, at the request of the Norfolk
Island Delegate, the first in a series of community focussed capacity
building activities in maritime archaeology was conducted on the island.
These activities resulted in the creation of the Norfolk Island Maritime
Archaeological Association (NIMAA), Australia's newest maritime
archaeology association.
This paper briefly outlines the history of maritime archaeological
associations in Australia and their engagement with management
agencies. As a case study for other small island communities, the paper
highlights some of the activities of NIMAA since its creation, issues faced
for participants and the management agency and the potential for NIMAA
into the future.
Key words: NIMAA, Norfolk Island, maritime archaeology associations,
public archaeology, community engagement, historic shipwrecks
Introduction
The management of shipwrecks in Australia balances protecting historic
shipwrecks with maintaining public access for recreational, scientific and

�educational purposes.

Objectives of the 1983 Historic Shipwrecks

Program (HSP), the vehicle to coordinate the national collaborative
administration of the Historic Shipwrecks Act 1976 (the Act), include: the
support of an informed public for historic shipwrecks as a cultural
resource; undertaking fieldwork including shipwreck survey, excavation
and monitoring; and community engagement (Viduka, 2012).

This

provision has been echoed in Article 20 of the UNESCO 2001 Convention
on the Protection of the Underwater Cultural Heritage.
Of Australia’s approximately 7500 - 8000 protected Historic Shipwrecks,
23 lie within protected or no-entry zones without permit (Historic
Shipwrecks Protected Zones 2017). The remaining sites can be dived
without permit if that activity does not cause damage, disturbance or
removal of material from the site. Divers are encouraged and can use
wreck sites for recreational purposes but the physical fabric of the wreck
must not be disturbed and relics must not be removed from the site without
a permit (Viduka, 2015).
Due to the small number of professional maritime archaeologists and the
vast amount of coastal waters around Australia, it has always been
obvious that little can be done by the professional maritime archaeological
community alone to: locate; document; assess the significance of;
monitor; protect; stabilise and research this large distributed assemblage.
A core reality of underwater cultural heritage management in Australia is
that community support and community participation in the monitoring or
discovery of vessels is critical to achieving the objectives of discovering
and protecting underwater cultural heritage. To support such an outcome,
strong community based programmes that improve the public’s access to,
knowledge and enjoyment of their underwater heritage is vital (Hosty,
1987; McCarthy and Garrett, 1998; Nutley, 1998; Smith, 2006; Styne,
2010; Viduka and Raupp, 2008).

�Management agencies around Australia have developed a range of
different communication and engagement strategies to facilitate public
access and inform the public of their heritage. These strategies include:
online databases (with detail on the history, location and diving conditions
of each site) (NSW Maritime Heritage Database, 2017; WA Shipwrecks
Database, 2017; Vic Heritage Database, 2017; SA Shipwrecks Database,
2017; Australian Government Shipwrecks Database, 2017); websites,
brochures, posters and books (Nash, 2007; Henderson, 1986 and 2016);
accurate historical and site data provided to commercial dive charter
industries; community based interactive programs (NSW Wreckspotters,
2015; Queensland Survey, 2015; Viduka and Raupp, 2008); and the
development of dive trails (Philippou and Staniforth, 2003).

A

fundamental element in the strategy of promoting community participation
is the development and support for vocational maritime archaeology
groups.
Maritime Archaeological Associations in Australia
Australian management agencies initially put significant time and
resources

into

fostering

the

establishment

of

local

maritime

archaeological associations. The 1994 Australian Government Guidelines
for the Management of Australia’s Historic Shipwrecks includes details on
how to foster and support the development of archaeological associations.
The 1996 Australian Government Public Access Guidelines, specifically
state that community groups can undertake disturbance activities subject
to meeting specific criteria in training in maritime archaeology.

This

extended to private and public groups and institutions including local
historical and archaeological societies, regional community museums and
affiliated groups under the direction of a person qualified in maritime
archaeology (Australian Government, 1996).

�Given the strong contemporary policy framework in Australia limiting the
granting of permits for the recovery of relics by private individuals or
groups without conservation and collection management resources, many
community groups, often known as Maritime Archaeological Associations,
focused their activities into locating shipwrecks and or survey of known
resources. Many of these groups were instrumental in a jurisdiction being
able to undertake more extensive fieldwork activities, such as excavation,
but under the direction of a qualified maritime archaeologist.
Over time, many of these associations not only planned and undertook
their own research, but also became the backbone of their jurisdiction’s
fieldwork program, supplying divers with: practical, historical and nautical
knowledge; a vast depth of diving experience; boat handling skills;
medical and safety skills; and training in archaeological methodology.
Notable amongst these groups is the Maritime Archaeological Association
of Victoria (MAAV, 2017) and the Maritime Archaeological Association of
Western

Australia

(MAAWA,

2017).

The

relationship

between

management agency and community group was so symbiotic, that at
times, the strength of a jurisdiction’s management was indicated by the
activity of the local community group.
Other maritime archaeological associations existed in: South Australia
(Society for Underwater Historical Research) (SUHR) which was renamed
the South Australian Archaeology Society in 2012; Tasmania (Maritime
Archaeological Association of Tasmania) (MAAT) (Lester, 1983a, 1983b);
and Queensland (Maritime Archaeological Association of Queensland)
(MAAQ, 2015) however these are no longer active. A common thread
amongst all these groups was some level of active involvement or support
by the relevant State Historic Shipwrecks Practitioner.

�A feature of the last decade or so is that new groups have appeared on
their own volition, with a specific area of research interest. Southern
Ocean Exploration (SOE, 2017) and the Sydney Project (Sydney Project,
2017) are notable examples of groups who like both technical diving and
discovering shipwrecks. Other groups such as Wreck Check Incorporated
are interested in searching for, locating and documenting underwater
cultural heritage related to or shared with Australia (Wreck Check, 2017;
Fortuyn Project, 2017).
Unlike other Australian jurisdictions Norfolk Island has never had the
permanent support of a local professional maritime archaeologist. The
Delegate for the Historic Shipwrecks Act, who is located within the Norfolk
Island Museum, has relied on external organisations or individuals to
assist them in undertaking their delegated responsibilities to sites and
associated recovered artefacts. Recognising a need for a local capacity
to assist in the delivery of day to day delegated responsibilities, the Norfolk
Island Delegate supported the idea of building maritime archaeological
capacity within the local community. The value of such an approach was
immediately recognised as delivering positive outcomes on three principle
levels: community engagement, management and museological. Harking
back to the earliest model of fostering a community maritime
archaeological association to support a jurisdiction’s management goals,
in 2012 Australia’s most recent Maritime Archaeological Association was
formed, called the Norfolk Island Maritime Archaeological Association
(NIMAA).
Norfolk Island – a maritime landscape
Norfolk Island is located in the Southwest Pacific approximately
1700 kilometres northeast of Sydney, at 167°57'E, 29°02'S. The island
has an approximate area of 37 km2 and a population estimated between

�2000 to 3000 individuals. To the south of Norfolk Island are two smaller
islands, Nepean and Phillip (Fig. 1). All the islands are formed from
horizontal sheets of basalt with Mount Bates on Norfolk Island as the
highest point, rising to 319 metres above sea level (Geosciences
Australia, 2017).

Fig. 1 (left): Map of Norfolk
Island. (naming bays and
locations mentioned in text)
(Australian Government)

Norfolk Island has several phases of occupation. Excavations around
Emily Bay, on the south-central coast, identified occupation of the island
by people of Polynesian ancestry circa the 13th/14th through to the 15th
century AD (Anderson and White, 2001). The island was located by
Captain James Cook in 1774 and was identified for its strategic value and
economic potential in timber and flax. In the 19th century a British penal
settlement was established near Emily Bay now known as the UNESCO
World Heritage listed Kingston and Arthur's Vale Historic Area. After the

�closure of the penal settlement in 1855 the island was subsequently
occupied in 1856 by people relocated from the Pitcairn Islands. With the
arrival of the Pitcairners, many with Tahitian ancestry, Norfolk Island again
became a community thread in the tapestry of Pacific Island cultures.
Today, many Norfolk Islanders are intrinsically a part of the Pacific with
strong cultural and familial links.
The mid to late 19th and early 20th century Norfolk Island population
comprised of subsistence farmers, whose only hope of deriving an income
was through exporting agricultural products predominantly to either
mainland Australia or New Zealand. Intermittent services by shipping
companies, further exacerbated by the First World War, often resulted in
total spoilage and loss of products. Other than agriculture the only major
industry on the island was shore based whaling which occurred between
1858 and the early 1950’s. In 1942 at the height of World War II in the
southwest Pacific, the island became a strategic airbase and was
occupied by New Zealand troops. A radar station was located on Mount
Bates. Prior to the airbase’s construction shipping was the only transport
to and from the island. Fishing from rocks and boats remains a very
popular activity both for food and recreation.
The

underwater

cultural

heritage

resource

and

community

engagement
In 2009, recognising the operational limitations on the Historic Shipwrecks
Delegate, the Department engaged Cosmos Archaeology to undertake a
desktop review of shipwrecks around Norfolk Island for updating records
in the Australian National Shipwrecks Database (ANSDB) (Luckman and
Viduka, 2013). Prior to this desktop survey, most maritime archaeological
activity had focussed on the National Heritage listed site of HMS Sirius
(1790), unofficial flagship to Australia’s First Fleet, and its associated

�artefacts on display at the Norfolk Island Museum (Henderson and
Stanbury, 1986; Stanbury, 2002 and 2007). Through the desktop project
new information, media and archival material was collated for several
sites. The ANSDB now includes approximately twenty-six sites around
Norfolk Island which are recorded as sinking from 1790 – 1960’s (Fig. 2).

Fig. 2: Map indicating the distribution of the known shipwreck resource
around Norfolk Island and their approximate locations. (Australian
Government)
To help build an informed and supportive community group who could
assist the Delegate, an Australasian Institute of Maritime Archaeology
modified Nautical Archaeology Society (AIMA/NAS) training course part 1
(Nautical Archaeology Society, 2013; Philippou and Staniforth 2003) was
delivered to 25 participants. The AIMA/NAS course was presented in
2010 by Cassandra Philippou, Sarah Ward and myself (Fig. 3) (Norfolk
Island Museum, 2017; AIMA, 2017; AIMA NAS, 2017). This course was
very successful in bringing many individuals of the community together on
a subject of shared interest. The enthusiasm of the individuals involved
led directly to their creation of NIMAA. This paper looks at NIMAA and the

�challenges for that group as a case study for other small island
communities.

Fig. 3 (left): AIMA/NAS
training 2D survey.
(Andrew Viduka)

A shaky start
Following the creation of NIMAA, economic downturn on the island drove
many diving members to the Australian mainland or elsewhere for work
opportunities. At the request of the Delegate, who recognised that the
group’s existence was immediately imperiled, from 22 February to 1
March 2013, a small team of maritime archaeologists were engaged to
work with NIMAA members and undertake a maritime archaeological
survey of Ball Bay and other coastal sites around Norfolk Island. The
maritime archaeology team comprised Dr Brad Duncan (State Maritime
Archaeologist, New South Wales), Mr Amer Khan (Maritime Heritage
Officer South Australia) and myself (Australian Government).
2013 NIMAA Ball Bay Survey
Due to the limited anchorage or landing options at Norfolk Island, Ball Bay
is constantly being considered for future development by Norfolk

�Islanders. To assist development consideration and for science based
heritage management decision making an understanding of the potential
for underwater cultural material in Ball Bay was required to be made. To
that end a physical and remote sensing survey of the bay was planned.
The intent of this collaboration with NIMAA was fourfold:
 to help inform discussion and decision making on Norfolk Island
regarding this site so the Delegate could be well placed to protect
the maritime heritage of the island if present;
 provide further practical archaeological training for NIMAA in
underwater and terrestrial archaeological field techniques;
 empower NIMAA to continue archaeological surveys around the
island and lead in the recording of previously undocumented
heritage sites; and
 to galvanize activity in NIMAA.

Historically known activities in Ball Bay include a shore-based whaling
station from 1935-39. Remains of the processing plant are still in situ.
However, the bay has a longer history of use, starting circa 1788/9 when
Captain Philip Gidley King, then lieutenant-governor of Norfolk Island,
attempted to build a pier. Anecdotal accounts suggest even an earlier use
of the bay by Polynesians. The Director of the Norfolk Island Museum
reported anecdotal accounts of the recovery of some Polynesian cultural
material, possibly dating to the pre-history settlement period (Pers com
Lisa Richards 17 May 2012).
Due to bad weather, only two days of underwater surveys could be
completed in Ball Bay though some in water survey training was
conducted in the calm of Emily Bay and an inspection snorkel over the
site of HMS Sirius was achieved with NIMAA members (Fig. 4). Activity

�switched to teaching and doing oral history recordings with locals.
Selected individuals who were described by Dr Duncan as having ‘deep
familial and direct knowledge of sites’ and other island maritime industries
on boat building, defence, whaling and transport were interviewed
(Duncan 2012) (Fig. 5).

Further, several sites were surveyed and

recorded including: the Mt Bates Military Radar Defence Station; an
incised marking on stone associated with HMS Calliope’s visit in 1888;
and a World War II bunker in Anson Bay overlooking the landing point of
the 1902 telegraph cable that connected Canada and Australia.

Fig. 4: HMS Sirius (1790) last anchor on site relocated and inspected by
NIMAA members. (Andrew Viduka)

�Fig. 5: Oral history interview on Norfolk Island whaling heritage in Ball
Bay. (Andrew Viduka)
2013 NIMAA Cascade Bay
In the perennial search for improved lightering or anchorage conditions on
Norfolk Island, in May 2013, at the request of the administration of Norfolk
Island who were considering possible improvements to Cascade Pier,
NIMAA undertook an underwater survey for cultural material in the
proposed development and associated works footprint. Cascade Pier is
located on the northern coast of Norfolk Island in an unsheltered bay. Due
to the rugged coastal conditions, all produce and supplies must be
lightered to and from vessels anchored off shore. Cascade Bay is one of
two contemporary locations used on Norfolk Island, the other being
Sydney Bay/Slaughter Bay. Both are subject to weather.
NIMAA planned, coordinated and carried out the survey with available
diving members. The survey was conducted on Sunday 19 May 2013.
Based on a brief supplied by Alan McNeil, Manager, Land Use &amp;
Environment, Administration of Norfolk Island, the area to be surveyed

�was identified using Global Positioning equipment and marked with ropes
and buoys which were used as reference points. While no artefacts were
found in the area surveyed, NIMAA divers on SCUBA methodically
searched the designated sea floor (Fig 6) (Norfolk Island Maritime
Archaeology Association 2013). NIMAA’s work contributed directly to a
positive community outcome and the Pier upgrade commenced in 2016
(Norfolk Island News, 2017).

Fig. 6: NIMAA members first sweep swimming north on the eastern side
of survey area 40 M off the pier. (Courtesy of NIMAA)
Since 2013 NIMAA members have been involved in other terrestrial
projects than those mentioned in this paper including a remote sensing
archaeological survey project led by Dr Duncan and Dr Martin Gibbs
(University of New England). However, outside of externally generated
projects or terrestrial and museological activity little has been reported that
suggests NIMAA remains an active underwater group driven by internal
initiative.
Potential for NIMAA into the future

�As with many other small island communities, the remoteness of the
island has been the primary cause of much joy and difficulty for Norfolk
Islanders and it is this thread that may be best exploited to deliver an
exciting project for NIMAA that will engage the broader community.
Certainly, the success or not of NIMAA resides with its members, their
individual enthusiasm and the support they receive from the Historic
Shipwrecks Delegate and, in general, the Australian Government’s
Historic Shipwrecks Program. As outlined above, volunteer associations
are vulnerable to change and will cease to operate. In the case of the
MAAQ, which ceased to operate in 2016, changing demographics of the
group, few new members, the ability of existing members to volunteer time
and insurance issues restricting fieldwork all combined to make the group
inoperable (Pers Com Paddy Waterson 6 June 2017). It is worth
highlighting that Queensland is Australia’s 3rd most populous state and
most popular dive tourism location for domestic and inbound tourism. Yet,
even in this setting, a maritime archaeology volunteer association
withered and collapsed.
On Norfolk Island, NIMAA has many keen and capable members. The
entire island is a maritime landscape and everyone is intrinsically a part of
that story. However, it is not yet certain if their individual enthusiasm will
result in a coordinated community approach to projects of shared interest.
The greatest hope for the longevity of NIMAA is with the strong and
ongoing support of the Norfolk Island Museum, which has undergone
recent organisational change and restructuring, and the Norfolk Island
Historic Shipwrecks Delegate.
Separate to the activities that NIMAA members themselves may pursue
in regards to whaling and military heritage, other opportunities do exist to
engage participants in their underwater heritage.

�Collaboration with other researchers
Collaboration with other maritime archaeological groups or seeking
opportunities to join projects in other jurisdictions is open to NIMAA
members. One example of this is a project proposed by Wreck Check
Inc, chaired by Graeme Henderson. Wreck Check will collaborate with
NIMAA in 2017/2018. This project proposes to reassess why was the
Sirius wrecked? Arguably the infant Australian colony’s most threatening
single incident. NIMAA members will be doing photogrammetry of the
Sirius ballast mound for calculation of the residual weight (Fulton et al
2016) and approximate determination of stowage area in the vessel. This
data will be used to consider the potential impact of insufficient ballasting
as a contributing factor to the vessel’s loss.
Other future project – Resolution?
As briefly described earlier, to break their isolation from external markets
and remedy the lack of reliable shipping services to Norfolk Island, circa
1917 the Norfolk Island Shipping Company purchased the ketch Warrigal
(ANSDB Shipwreck ID 7958). After one successful voyage, the vessel
was lost with all hands in a cyclone. This vessel has not been relocated.
Still faced with the same isolation and lack of reliable shipping issues, in
1923 the Norfolk Island Farmers and Growers Association resolved to
build their own ship which they named Resolution. The Norfolk Island
Museum describes the construction of the vessels:
“It was difficult to source the resources needed to build a boat. Men
searched the valleys for timbers with natural bends to make the
stern and ribs. A Norfolk Island Pine was selected for the keel,
providing a 20-metre log that was dragged to the building site at
Emily Bay. There it was pit-sawn, adzed to shape and squared up.
Norfolk Pine was also used for the keel and planking, while the
framing was of island grown olive and ironwood. She was built as

�a stout auxiliary schooner of about 60 tons and more than 18 metres
in length.” (Norfolk Island Museum, 2017)

Sadly, for the Norfolk Islanders the Resolution, which was launched in
December 1925 and subsequently fitted with a diesel motor, was sold in
1927 to Burns Philp (South Seas) due to their financial inability to operate
the vessel. For the next 20 years, the Resolution worked on the Tonga,
Fiji and New Hebrides (now Vanuatu) trades. In March 1948, the vessel
was disabled by a cyclone and in 1949 Resolution sank at moorings in the
harbour at Port Villa in 36 meters. While the site has been actively and
continuously pillaged by recreational divers, this site is one of many
shared heritage sites between Norfolk Island/Australia more broadly and
Vanuatu that could form the basis of a collaborative maritime
archaeological project between NIMAA members and the people of
Vanuatu to the benefits for both island communities.
Conclusion and observations
It is an established truism that community engagement in heritage is vital
for better heritage management outcomes.

Certainly the creation of

NIMAA by interested individuals on Norfolk Island has stimulated activity
and greater knowledge in the community. While it is dangerous to
extrapolate too much from this singular example, certain observations
warrant consideration for their potential value to others who are
considering developing a community based underwater cultural heritage
capacity in a small island community.
Threats
All volunteer groups face a common threat, competing activities for the
attention of members. While this is not unique to small island
communities, a complication for individuals on small islands, in particular,

�is that they are often involved in multiple concurrent positions to derive an
income/subsistence.
Financial support
Financial support will assist any group to continue to operate. Without
some form of financial support being available, any group’s personal
resources may not be able to sustain activity over the long term. In a small
island community where individuals may have less income, external
funding is vital.
For NIMAA members, they are fortunate in that they have two options for
funding assistance, via the Delegate or through competitive grants offered
to small community museums through the Australian National Maritime
Museum. Without the opportunity to obtain external funding, the long term
viability of NIMAA would be in serious doubt.
A local champion/s
Two types of champions were required to create and sustain NIMAA. In
the first instance it was the support of the Delegate who championed the
creation of NIMAA. The Delegate recognised the need to have an
engaged and empowered community on Norfolk Island to participate in
underwater cultural heritage. Once NIMAA was created it was important
that individuals within NIMAA took a leadership role and championed
activities within the group.
Based on observations with NIMAA, it is important to recognise that the
role of the Delegate who initially championed the creation of NIMAA does
not cease. Their active and ongoing support is required to sustain an
individual’s enthusiasm and or the group’s effectiveness. Further, the
leadership role within a group should be shared otherwise this becomes
a constraining factor to the groups effectiveness.

�Links to a cultural institution/management agency
At least initially, the group would benefit from being linked to an
appropriate institution so that their activities have some oversight and
official support.

This not only helps build trust between individuals

responsible for the protection of underwater cultural heritage but ensures
the group’s ethical development. It advantageously also assists the group
to seek funding support for their activities.
Research potential – an active program
A critical element to maintaining activity is to have projects that are
initiated by the group, achievable and interesting to the individuals in the
group. While Norfolk Island has enormous research potential, it is yet to
be ascertained if NIMAA members will develop their own research
program.
Acknowledgements:
Thanks to the wonderful Norfolk Islanders who I have met over the years.
Particular thanks to Norfolk Island Maritime Archaeology Association
Members - Dean Burrell, Steve and Sandy Nutley, Doug and Eve Creek,
Rick and Kally Peay, Don and Sue Brian, Rossco Quintal, Brad O’Hare,
Bob Tofts - Norfolk Whaling Author, Herbert (Wiggy) Knapton – (exwhaler), Jimmy Christian (ex- whaler), the late Byron Burrell and Ralph
Weslake (WWII Defence). Lisa Richards – previously Norfolk Island
Museum Director.

Janelle Blucher and Jeanine Snell – Heritage

Management, Norfolk Island Regional Council. Cassandra Philippou and
Sarah Ward who participated in delivering AIMA/NAS training. Lastly,
thanks Brad Duncan and Amer Khan.
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Biography
Andrew Viduka is a maritime archaeologist
and conservator employed by the Australian
Government as the Assistant Director
Maritime Heritage. In this role he leads
Australia’s consideration of ratification of the
UNESCO 2001 Convention on the Protection
of the Underwater Cultural Heritage. Andrew
is actively involved in maritime archaeological
projects and or capacity building training in
Australia, the Pacific and the Mediterranean Regions. Andrew’s
research currently focuses on linking community outcomes with the
discovery and protection of Australia’s underwater cultural heritage,
shared heritage management and international capacity building

�projects. He is a foundation member of the research group Wreck Check
Inc.

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                <text>The Australian Government Department of the Environment and Energy administers the Commonwealth Historic Shipwrecks Act 1976 and the National Historic Shipwrecks Program. This Program enables the Department to work with the States, the Northern Territory and Norfolk Island to protect historic shipwrecks. With the wealth of maritime history on Norfolk Island and the strong associations with Pitcairn Island, the potential for involving the broader community in documenting and protecting Norfolk Island's wonderful maritime heritage is significant. In 2010, at the request of the Norfolk Island Delegate, the first in a series of community focussed capacity building activities in maritime archaeology was conducted on the island. These activities resulted in the creation of the Norfolk Island Maritime Archaeological Association (NIMAA), Australia's newest maritime archaeology association.   This paper briefly outlines the history of maritime archaeological associations in Australia and their engagement with management agencies.  As a case study for other small island communities, the paper highlights some of the activities of NIMAA since its creation, issues faced for participants and the management agency and the potential for NIMAA into the future.</text>
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                    <text>Can tourism exploitation of Underwater Cultural
Heritage (UCH) be incompatible with the UNESCO
2001 Convention?
Abhirada Komoot1

Abstract
Tourism is a major factor of economic growth in many countries especially in developing
countries. In 2010, tourism accounted for about 6% of Thailand’s GDP. In a way tourism is
commercial exploitation. But is it against Annex Rule 2 of the UNESCO 2001 Convention on
Protection of the Underwater Cultural Heritage (2001 Convention)? In the Annex, only active
commercial exploitation –trading, selling, buying and bartering– of cultural material is
obviously forbidden. Yet, there might be other passive commercial exploitations like tourism
which are not stated.
Can tourism be an alternative source of funds that can be utilised for UCH site
protection and management? Because of the country’s commercial benefits gained from
promoting tourism, it can be argued that tourism exploitation is one of the commercial
exploitations implied in Annex Rule 2. Additionally, for tourism, the sites have to be opened
for public which may cause the tension to in situ preservation and physical protection of sites.
Also, it could create direct effects, such as damage to the sites by divers souvenir hunting
and treasure hunting, etc.
On the other hand, tourism can be a successful tool to get people involved and raise
awareness which is essential in safeguarding UCH. Furthermore, under Rule 7 of the Annex,
it allows knowledge sharing with the public but only when it is not incompatible with the proper
protection and management of the sites. In other words, public approach could possibly be
applicable only in appropriate ways. However, it does not expressly mention exploitation
through tourism.
Tourism can bring good fortune to countries as well as many advantages for UCH.
Therefore, the prohibition may lead to absurd and even contradictory results. Countries may
find it difficult to find financial subsidy and raise pubic awareness for sustainable protection of
UCH. Simultaneously, the public is unable to enjoy leisure activities and gain knowledge from
the conserved sites.

The commercial exploitation of underwater cultural heritage for trade or speculation or its
irretrievable dispersal is fundamentally incompatible with the protection and proper
management of underwater cultural heritage. Underwater cultural heritage shall not be
traded, sold, bought or bartered as commercial goods—Annex Rule 2, UNESCO 2001
Convention.

1

Ms. Abhirada Komoot is an undergraduate student. She has obtained two bachelor degrees
one from the Faculty of Archaeology, Silpakorn University and another one from the Faculty
of Law, Thammasat University. She aims to combine her two specialties as a cultural heritage
manager with legal background in order to perform her management task more effectively in
legal scheme and make legal issues more understandable among other stakeholders. And
she has a strong passion for UCH. She has gained her experience on UCH by working as
administrative assistant to the UNESCO foundation courses on UCH in Thailand. Now she is
accepted by the Faculty of Archaeology, Leiden University in the Netherlands for the course
starting in February 2012.

�UCH in Concern
Underwater Cultural Heritage (UCH) was, a long time ago, a cargo or
passenger vessel, village, primitive fish trap, dike or any other human trace.
Many of them were faced tragic moments like sinking, inundation, and
ultimately destruction. Until, they were swallowed by water and lying
undisturbed in some cases for centuries. All of them contain some cultural,
historical or archaeological values of human existences. In the case of the
ship, it was sailing between continents on a sea route. Then, it was hit by an
unavoidable disaster like heavy storms, or sometimes overweight cargo made
the ship lose its balance so that it was capsized. After the chaotic moment of
trying to survive, no one could ever see it again. It had been sleeping on the
sea-floor calmly and undisturbed since then. A century later2, it becomes a
significant evidence of human history. It is full of the story of the past. For
example, what was the purpose of the finds? How was it built? Why did
people have to make the journey? What was the cause of the wreck?
Generally, there are some precious objects left behind. These sites
attract those who are hunting for treasure among the remains. Classically, the
salvage companies encourage individuals from all over the world to invest in
the venture promising high financial returns. Although the careless salvage
activity can be dangerous and expensive, it is still often worthwhile to do so.
The treasure hunters traditionally only expose the site for its pricey items and
lack of concern for human history. Their actions result in an irretrievable loss
of knowledge. This is not what we, as heritage protectors use to define the
value of cultural objects by the price. They are priceless! This legacy reflects
the traces of human link with on-land heritage. Therefore, these priceless
inheritances should be preserved as and for the benefits of mankind and the
completion of human history.
Besides, an unavoidable natural disaster, there is also, undeniably
human impacts on UCH. Even though the heritage, located under water, is
more difficult to access than a land site; it does not mean it is impossible to do
so. By the wisdom of mankind, more sophisticated diving equipment has been
developed, so that, they can widen the possibility of accessibility to the UCH.
In other words, it is easier to get to the site and be able to stay longer under
water with modern diving gear. Therefore, it is no longer possible for the site
to remain undisturbed but it is now easier to be interfered with. More people
are able to reach the sites, not only the treasure hunters, but also recreational
divers, researchers, archaeologists, scientists and so on. So the intrusive
activities are slightly growing.
Among recreational divers, they can create two kinds of impacts on
UCH sites; those who care for and are respectful to where and what they are
visiting and understand the value of the heritage and those who pay less
attention to how fragile and important the site is, only taking a snapshot and
collecting some meaningful items from the site as souvenirs to prove they
once visited there (Stanley 2006:2-4).

2

Based on the UNESCO 2001 convention, the historical objects is at least 100 years (See
Article 1 of the convention). In some countries it cane be determined differently.

�Additionally, some accidental damage occurs because of the lack of
diver’s ability to control buoyancy, usually novice and newly qualified divers.
Indirectly, another human threat is air pockets, especially on the metal
materials. In the case of a penetration dive, it can cause two kinds of
corrosion to the sites: loss of concretion through mechanical damage and the
build up of oxygen concentration inside a shipwreck’s confined spaces
(Viduka 2006:61-63). With the carelessness and lack of awareness of
numerous dive tourists and operators, our UCH is suffering from these human
habits. Even experienced and skilful underwater archaeologists, can also
disturb the site by careless excavation, lack of documentation and leaving the
site behind without taking any measures to protect it.
Due to the increase of the common threats to UCH and the raising of
awareness of this heritage within the international community, the UNESCO
2001 Convention was elaborately constituted to mainly protect this heritage
from those stresses. One of the core principles of the UNESCO 2001
Convention is the prohibition of commercial exploitation of UCH that is in
Article 2 paragraph 7, Article 4 and the Annex. In particular, Rule 2 of the
Annex, the integral part of the Convention, states clearly about the kinds of
the active commercial exploitation of the finds which are trading, selling,
buying and bartering. These activities are obviously banned by the
Convention and its Annex.
However, in my view the UCH nowadays is in the spotlight, it is
becoming more interesting among people, not only to the scientists or
archaeologists, but also the public. In some countries they have gained a
great deal of benefits not only from the forbidden activities but also from
passive ways. The passive commercial exploitation can also be received from
other activities like ‘tourism’. Nevertheless, it is not included in the
Convention. We still have to put more concern on this issue as tourism is a
double-edge sword. It can be tools of potential awareness raising or greedy
exploitation. The mitigation between the dirt safeguarding and the dollar
earning should be brought to the international stage in order to develop the
best methods of managing tourism related to our heritage.

Terminology and Tourism
The term ‘tourism’, in general, has various meaning. According to the World
Tourism Organization (UNWTO), the definition of tourism can be indicated as
follows: (1) Tourism is about displacement from usual environment. (2) The
purpose of the tourism can be anything, like leisure or business or both, other
than being remunerated from the visited place. (3) The maximum of duration
is not more than a consecutive year. So, tourist is a person who does such
activity.
Since the beginning of the human history, people had travelled around
to neighbouring places for many purposes, for instance, food, shelter, war,
etc. They started to make a journey mostly for basic needs. Then, as the
improvement of the technology, the transportation had been developed. It was
easier for them to make a distant trip. And the purpose of the travel had also
been changed according to the endless curiosity and needs of recreational
activities.
At the time of the Roman Republic, the Romans were ecstatic persons.
We can see through works of art. They thought they should, once in a lifetime,

�visit the great wonder place of the history and myths like the ruin of Troy,
Acropolis, Alexandria and some places in Asia Minor. Heritage is still the
reason for people to travel today. They want to see the exotic ruins of empires
and the glory of the past. Then, in the seventeenth and eighteenth century the
‘Grand Tour’ had been developed. It was more or less like the journey in
Roman period. The wealthy European would traditionally travel to the ruins of
the ancient Roman Empire to appreciate the cultural legacy of the Classic
antiquity and Renaissance, including the great structures and works of art
such as delicate marble sculptures and masterpiece paintings. It served as an
rite of passage (Wokloer 2007:205-222).
After the Industrial Revolution, transportation had immensely and
rapidly improved. Then, the traditional journey extended to the middleclass
since they became concerned about the importance of holiday. This allowed
bourgeoisies to travel for leisure purpose on their free time.
Thus far, people are still keen to see new things. They need to enjoy
the benefits of the relaxing time and gain knowledge. There have been
numerous emergences of niche or specialty tourism including cultural tourism,
nautical tourism, medical tourism, etc. Therefore, tourism had become the
popular activity for most people since then. And as the population rapidly
grew, the need for relaxation has also increased dramatically. Tourism has
had a huge impact on the world’s economic sector.

Dirt or Dollars
The traces of human existence, lying under water for a long time, acts like a
time machine. It is often well preserved by nature as if time stood still from
when it was swallowed by the water. It can keep people close to the past. But
WHY do we have to get close to the past? What is the value in caring for the
dirt? If it can make a cent of dollar to feed the starving lives, maybe this is the
reason.
Tourism is an attractive activity to most countries in the world as it can
generate a great deal of money to improve the standard of living. In the world
economy, tourism has played a vital role in economic growth. It became one
of the rapidest growing sectors over decades. According to UNWTO’s
information, in 2010, international tourism generated US$ 919 billion (€ 693
billion) in export earnings. Similarly, Thailand has also gained a valuable
benefit from tourism. The overall economic growth of the country is 8% of
GDP or THB 905 trillion (US$ 584 billion) in 2010. Tourism is one of the main
industries making Thailand’s economy in progress, growing by 6% of GDP,
after automobiles and automotive parts (11%), financial services (9%) and
electric appliances and components (8%).
To exploit in the form of tourism can bring many benefits to the
economic sector. On the website of Coastlearn organization it explained that
tourism can be used as a nation’s economic improvement tool including
foreign exchange earnings, contribution to government revenues, employment
generation, stimulation of infrastructure investment and contribution to local
economies. Likewise, it happens the same way to Thailand.
As informed by Tourism Authority of Thailand (TAT), Thailand
welcomes over 550,000 dive tourists and is home to over 80,000 certified
divers of its own. And the number of recreational divers is growing since 1985
according to the report from Department of Marine and Coastal Resources.

�Under the Thai sea, it can provide tourists not only the natural resources but
also cultural heritage. Consequently, UCH can be a good source of tourism as
well. From the figure, it shows that if the promotion of tourism is applied to
UCH sites, the possibility to widen the divers’ interest on the heritage
resources will be bigger. Precisely, UCH is a kind of product sold for
foreigners who are seeking unusual experiences. More tourists is a money
generator.
In a way, tourism can make a lot of money to the host countries and
has human’s effects; it can create both direct and indirect damage to this
heritage as well. It can cause harmful impacts to the site such as village
expansion, constructions, anchoring, looting, treasure hunting, salvaging, etc.
So, is tourism exploitation included in the term of ‘commercial exploitation’ in
Annex Rule 2 of the UNESCO 2001 Convention?
However, tourism, the way to exploit it for wealth and prosperity for the
countries and their people is not the bad thing to do. Unromantically, who can
live without financial support? “No profit, end of dreams! Even non-profitable
organizations survive on donations from other people’s earning and revenues,
which are generated by the profit” (Stanley 2006:2-4).
In addition to an alternative source of funds, tourism can make a great
amount of money from diving enterprises, tourists, shops and other business
sectors, involving the UCH. This financial benefit can effectively contribute to
heritage management projects and local sector. For example, when locals
learn that they can maximize benefits by providing a boat trip to visitors who
wish to experience the shipwreck, then, they will care more about the site as it
now becomes their tools of earning and improving their quality of life. They will
be more concerned about the site. And all the benefits gained can encourage
local people and governments to care more about the legacy. The awareness
and good policy for sustainable UCH will be raised. Without dirt, there will be
no more dollars.
So, dirt and dollars on UCH’s aspect is something that relies on each
other. It cannot survive alone. And it is difficult to choose only one of them.
But the possible way is to find a middle point. Only be careful of overexploitation and unawareness of mass tourism.

Education Not Prohibition
Indeed, in the term of the sustainable and successful management of
Underwater Cultural Heritage, what we need is an education, not prohibition.
The site will become more interesting for the public only when they know
something about it like how important the site is. Nevertheless, no legal
scheme mentions about how tourism will work on UCH. In Rule 7 of the
Annex in UNESCO 2001 Convention states about the public access. It can be
implied that the promotion of knowledge sharing of the heritage shall be
promoted in the parallel way with the proper site management. Moreover, in
Article 20, it is a state’s obligation to raise public awareness by any practical
ways. However, it is still not clear enough to apply that tourism is permitted by
this Convention. Only case studies will be able to bring it to light.
In many waterfront countries, tourism is also a possible tool to raise
public awareness and provide education about UCH to extent public interests.
To educate and encourage people about the importance of UCH is the greater
positive benefits for all mankind. Because when we can build the inner

�passion of people, they will eager to learn how to protect and safeguard this
precious patrimony by themselves. Importantly, it is the right way to build a
good cooperation between stakeholders; government, local community,
archaeologist, tour operator and so on.
In Thailand the popularity of wreck diving is becoming famous among
recreational divers but most of sites are decommissioned warships,
intentionally sunk for growing marine life, or new sunken ships. SW, Bangkok,
5 August 2011, he is the professional dive instructor, operating in Pattaya.3
He said, according to his experience, most of divers who visiting the wreck
around Pattaya waters only enjoy their diving with corals and marine
creatures. Their knowledge on wreck sites is very limited or none. The similar
result is received from a professional underwater archaeologist, EV, Bangkok,
20 august 2011. He said that there is a small group of wreck divers who are
enthusiastically interested in UCH diving. They are also researchers. They
visit the sites not only for leisure activities but they are also keen to learn.
They are monitoring the deterioration of the sites and do some publication.
Even they are in the private sector, they can be watchdogs of UCH.
Still, the visitation to UCH sites is limited compared to the number of
amateur divers coming to Thailand each year and the number of UCH
publications. The group of interested divers is still small but qualified. They
have a strong interest and conduct on-going research on the wreck. After they
distribute their publication, then, here is becoming well-known among
advanced divers. The example is ‘Hardeep’ or ‘Suthathip’, the most famous
Thailand’s shipwreck, and it is UCH. It is put in the diving route. The gradually
increasing of tourism and educated divers on the sample site is a positive sign
for an appropriate growing of tourism on UCH in Thailand. Unfortunately,
there is no official record.
In other cases, the application of tourism has given a good result in
knowledge distribution to many other countries in the form of tourism. For
example, the SS Maori in South Africa, Florida’s Maritime Heritage Trail in
USA, and Maritime Heritage Trail in Cayman Islands.

Freedom of Movement
Freedom of movement is the fundamental right of humanity which is
respected in the constitution of many countries. For example, it is stated in the
section 34 of the Constitution of the Kingdom of Thailand. It includes the
liberty to travel. A person shall enjoy the liberty of travelling. However, a
person shall enjoy their freedom and liberty within the respect of the rights of
others.
In the term of tourism, it is also a way to promote respect of human
rights. To be able to move freely does not encompass the rights to enter
another country. But in the UCH perspective, it so means the rights to access
the site. Tourists, in order to appreciate the heritage and gain knowledge,
shall not be prohibited to approach the site. At the same time, they have
obligations to venerate the rights of others as well. They shall not do any harm
to the site and keep in their mind that the UCH is the heritage of mankind not

3

Pattaya is the well-known diving spot and tourist attraction in Thailand and located in
Chonburi province.

�the personal belongings. They shall do no harm to the site including but not
limit to looting, souvenir collecting, or even treasure hunting.
Rights always come with obligations. This legacy is a shared heritage,
so it is our duty to safeguard it in every way we move. Therefore, a person
who enthusiastically admires the UCH shall enjoy his/her freedom and liberty
of movement and travelling to the UCH site under the limitation of other’s
rights and liberty.

World without Tourism
Most of the UCH sites are lying in the open area, under the sea or river. It is
impossible to lock up all the sites and apply strict rules. If we choose to keep
the site secret and forbid public access, there will be the secret access as
well. This can be more problematic because the intention might go wrong.
In general, people travel for many purposes including leisure and
learning. Without tourism there will be no real knowledge of the ancient
wisdom gained at first hand. Only an unreal source of education such as
books, television and Internet can be accessible but no physical appreciation.
In other words, Tourism is a joyful way to develop public understanding and
raise their attention, which are the key part to promote the sustainability of the
UCH safeguarding.

Conclusion
In many ways, tourism is a potential tool to help increasing the public
awareness and financial source, the core instruments of sustainable
development of UCH. Restrictive accessibility to the UCH is the way to keep
the site intact but it cannot educate people particularly locals. Without
awareness, the blanket legislative protection cannot be enforced effectively.
And without profit, all the dream projects become useless. Additionally, it
becomes a human rights’ violation instead of respect. Even tourism can
create some negative impacts, pros and cons are needed to be weighed. As
the idea of the traces of humanity, the issue needs to be brought to the
international phase in order to find a chance of hope for sustainable and
effective management of tourism on UCH.

Acknowledgements
I would like to acknowledge the help of people who contribute to this work. I am grateful to Dr.
Mr. R. Rujaya Abhakorn, the Director of SPAFA, for giving me a great opportunity and
support. And this would not have been possible without the assistance of my friends, Mr.
Erbprem Vatcharangkul, Mr. Chris Underwood, Mr. Martijn Manders, Mr. Andrew Viduka, Mr.
Takahiko Makino, Mr. Saiklang Jindasu, Mr. Siwat Worachananan, and Ms. Pimolpan Wong
A-ram.

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South East Asia is an Asian Sub Region with 11 countries with an area of 8.94 million square kilometres, and its water areas covering the China Sea, the Java Sea, the Sulu Sea, the Philippine Waters, the Celebes Sea, the Banda Sea, the Flores Sea, the Arafura Sea, the Timor Sea, and the Andaman Sea. With a total area of 2.5 % of the surface of all oceans in the world, South East Asia is a large sub region in the world which its waters and coastal areas are very rich in underwater and maritime cultural heritage. Underwater heritage in South East Asia are diverse and come from various times, namely from ancient Southeast Asian kingdoms, the European colonialism period, to World War II, which consisted of traditional ships of the South East Asian countries, Chinese junks China, Spanish Galleons and Naos, ships from the Middle East, VOC and EIC vessels; historic ships, planes, submarines during World War II; and also the remains of human settlements in the past or submerged landscape.&#13;
&#13;
The session will explore the richness of maritime history and the legacy of underwater and maritime cultural heritage in the countries of South East Asia. This South East Asian Session also seeks papers to be presented on the current development of underwater and maritime archaeology in South East Asia including the latest results of researches, studies, and projects of protection, preservation, sustainable use of underwater heritage, and the development of innovation and technology applying in the fields of underwater and maritime archaeology in various institutions in South East Asian countries. Moreover, the challenges, current threats, and any shortcomings that are currently being hot issues facing by South East Asian countries regionally, such as massive plundering of historic wrecks, destructive activities on shipwreck sites, natural disasters affecting underwater and maritime heritage, lack of long-term site monitoring and inappropriate management of underwater heritage will also be the focus of discussion in this session. This South East Asian Session also encourages the presentation of studies or projects on community engagement and opening access for the public in managing a sustainable underwater heritage in South East Asian countries, where the role of the local community is significant and can assist in determining the sustainability or the destruction of underwater and maritime heritage sites. &#13;
&#13;
Session Organiser:&#13;
&#13;
Nia Naelul Hasanah Ridwan</text>
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                <text>Canthik: A Figurehead on Javanese Maritime Culture</text>
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                <text>Canthik, the Javanese figurehead, is one of maritime’s archaeological data that is seldom discussed. Less than five of them have been recorded in the archaeological record, and all are kept in the museums. One of these is currently stored in Museum Sonobudoyo, Yogyakarta. To date, the description of the object is limited to a decorated object that is placed on the stern of a boat. The canthik can, arguably, be removed from one boat’s extremity to the other, depends on which one serves as the bow. It has a form of a mythological creature and is believed to bring protection to navigation. This paper aims to discuss the function of the figurehead, as well as the symbol it represents since Canthik has always been regarded as a sacred object in the Javanese community. &#13;
This paper will further discuss what type of boat the figurehead is associated with and the kind of activities that these boats participated in. A comparison to figureheads from other regions, such as Europe, China, and Polynesia will be presented to explore possible answers to the aforementioned questions. &#13;
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                <text>Murdihastomo, Ashar, Ayu Dipta Kirana, and Shinatria Adhityatama. 2021. “Canthik: A Figurehead on Javanese&#13;
Maritime Culture.” Edited by Brian Fahy, Hans Van Tilburg, Bill Jeffery, T. Kurt Knoerl, and Riley Smith. In&#13;
Proceedings of Fourth Asia Pacific Regional Conference on Underwater Cultural Heritage: Keelung,Taiwan, and&#13;
Virtual, November 1-5, 2021. The Museum of Underwater Archaeology URL: https://apconf-much.org/proceedings/exhibits/show/apconf-muchproceedings/item/686</text>
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                    <text>CAPACITY BUILDING IN THE TIME OF COVID:
THE CASE OF HMAS PERTH (I)
Dr Natali Pearson (The University of Sydney, Curriculum Coordinator)
ABSTRACT
The topic of this abstract best fits within Session 4, ‘Underwater Cultural Heritage of World War II in the AsiaPacific Region: Discoveries, Opportunities &amp; Challenges’ because of the latter’s focus on World War II heritage
in the Asia-Pacific. The case study under consideration in this paper is that of HMAS Perth (I), an Australian
warship sunk in Indonesian waters in 1942. The focus of this paper is Australia’s maritime capacity building
initiative for the wreck of Perth (I), and the challenges and opportunities of advancing this project in the time of
COVID-19. While some projects lent themselves to being conducted online, many others were forced to reevaluate their feasibility entirely. This paper considers the changes wrought by COVID-19 on conventional
heritage capacity building and management models, and the extent to which these models still apply. As it
proposes, the limitations posed by the pandemic on capacity building projects created space for more inclusive
and enduring knowledge building approaches, which elevated local stakeholders and, arguably, contributed to
more sustainable outcomes in the long-term. At the same time, however, broader questions remain about the
uses of digital heritage in a connected world.
* A detailed publication on this topic is available. Pearson, Natali. “Too Little, Too Late? Redefining the Legacy
of HMAS Perth (I), an Australian Warship Sunk in Indonesian Waters.” Historical Archaeology (2023).

KEYWORDS
World War II, naval shipwrecks, capacity building, heritage post-COVID

INTRODUCTION
International capacity building projects were seriously affected by the combination of travel
restrictions, reduced budgets, and health considerations associated with the COVID-19 pandemic.
While some projects lent themselves to being conducted online, many others were forced to reevaluate their feasibility entirely. For Australia and Indonesia, the limitations imposed by COVID–19
prompted a re-evaluation of what constitutes capacity building, and the extent to which maritime
heritage collaboration and cooperation can be advanced in the absence of face-to-face engagement.
Australia and Indonesia share one of the longest maritime boundaries in the world and have expressed
their commitment to working together to build and strengthen cooperation in the area of maritime
cultural heritage. This commitment is articulated in the Plan of Action for the Indonesia-Australia
Comprehensive Strategic Partnership (2020–2024), which places a priority on intensified maritime
cooperation and posits cooperation as critical to both country’s shared strategic interests (Australian
Government, 2018).
In recent years, bilateral maritime heritage cooperation has centred around HMAS Perth (I), an
Australian warship that sunk in Indonesian territorial waters. As the final resting place for hundreds of
sailors, Perth represents both a complex and sensitive example of the challenges of protecting and
preserving shared maritime heritage. In many ways, COVID exacerbated these challenges. At the
same time, however, and as this paper argues, the limitations imposed by COVID have presented
unexpected opportunities to imagine a more sustainable model for future maritime engagement
between the two countries.

1

�CASE STUDY: HMAS PERTH (I)
HMAS Perth (I) was a modified Leander class cruiser that began life as HMS Amphion before being
purchased by the Royal Australian Navy, prior to the outbreak of WWII. Perth and her crew saw
action all over the world, including in the Caribbean and the Mediterranean. In 1942, Perth joined
American, British, and Dutch forces to guard Java from Japanese occupation in the Battle of the Java
Sea (27–28 February 1942). The Allies were decisively defeated, and Perth, together with USS
Houston, was fortunate to escape (Perryman, 2017).
The two vessels fled west, arriving in Tanjung Priok (Jakarta) on 28 February to re-fuel and re-load.
Almost immediately, they received orders to sail through the Sunda Strait and towards Cilacap on the
southern coast of Java. Although they had been told the coast was clear, Perth and Houston
encountered the Japanese Western Invasion Convoy in waters near Banten Bay, just west of Jakarta.
The intense battle that ensued has come to be known as the Battle of the Sunda Strait (28 February–1
March 1942). Both Perth and Houston were destroyed by Japanese torpedoes and gun fire, with Perth
sinking just after midnight and Houston shortly thereafter. Japan also suffered losses. HMAS Perth (I)
had 681 men aboard, including naval personnel, air force personnel, and civilian staff. Of these, 353
died when Perth went down. Of the 1061 aboard USS Houston, 693 lives were lost. Most of the
survivors were taken as prisoners of war and endured years of suffering on the Thai-Burma railway.
HMAS Perth (I) sank, largely intact, on her port side in Banten Bay. The wreck lay undisturbed until
1967 when it was rediscovered by Australian diver David Burchell. His intention was to recover
touchstone objects from the vessel before it was ravaged by what he called ‘diving pirates,’ who, he
feared, were salvaging non-ferrous metal from the many sunken warships scattered across the region
(Burchell 1971, 26). After twenty-five years in the warm waters of Banten Bay, both Perth and nearby
Houston had become thriving marine ecosystems, alive with colour. Then as now, local fishermen
have relied on these wrecks for their livelihoods and, due to the birds they attracted, as navigational
aids.
Burchell’s efforts to find and recover objects from HMAS Perth (I) heralded the first of many human
interactions with the wreck. Many of these interactions were motivated by a desire to pay respect to
Perth and her crew. Some visitors placed floral wreaths into the water above the site, while others
descended below the waves to the wreck itself. These divers, some of whom visited the site on a semiregular basis, were the first to sound the alarm in 2013 that Perth was being salvaged on an industrial
scale due to the re-sale value of its scrap metal (Besser, Oakes, &amp; Hermant 2013). The salvaging of
Perth for scrap metal has destroyed marine habitats, deprived local communities of sustainable
livelihoods from tourism and fishing, and desecrated the final resting place of Australian war dead.
Besides the concern over human remains, the presence of unexploded ordnance and fuel oils add a
further complication.
Despite the imminent threat of destruction by looting, bilateral collaboration to protect and preserve
Perth was—for reasons outlined elsewhere in the literature (Pearson 2023)—slow. In May 2017, the
Australian National Maritime Museum (ANMM) and the National Centre for Archaeological
Research (Pusat Penelitian Arkeologi Nasional, or Arkenas) conducted a technical survey of the site,
which revealed that just 40 per cent of the wreck remained in situ (Hosty, Hunter, &amp; Adhityatama
2017). The 2017 survey, together with petitioning by the Banten provincial government, played a
critical role in supporting efforts to advocate for the establishment of a protected zone around the
wreck.
RESOURCES
For Australia and Indonesia, the salvage of Perth placed maritime heritage cooperation in the
spotlight, prompting greater bilateral engagement and collaboration to manage the wreck for the
2

�future. In February 2018, then-Minister for Marine Affairs and Fisheries, Susi Pudjiastuti, issued a
Ministerial Decree designating HMAS Perth (I) and surrounding waters as Indonesia’s first Maritime
Conservation Zone (Kawasan Konservasi Maritim) (Republic of Indonesia 2018). The Maritime
Conservation Zone establishes a core zone around the wreck, surrounded by a zone of limited
utilisation. The Decree provides a legal basis for site protection, and, in accordance with Indonesian
law, was introduced at the national level but must be implemented at the provincial level.
Since the establishment of the Maritime Conservation Zone around Perth in 2018, key stakeholders
on both sides have worked hard to develop and refine a comprehensive management plan for the site
that incorporates the technical requirements of wreck conservation with the historical, administrative,
and economic considerations of managing a tourism site of Perth’s significance. Some of these efforts
have taken place under a project funded by the Department of Foreign Affairs and Trade’s Maritime
Capacity Building Initiative (MCBI) and managed by the ANMM with support from the Australian
Embassy in Jakarta and the Sydney Southeast Asia Centre at the University of Sydney. The MCBI, as
initially conceived, was aimed at promoting greater awareness of the challenges and opportunities of
managing HMAS Perth (I). In particular, it recognised the need to balance preservation interests with
economic benefits for local communities.
One of the first activities conducted under the auspices of the MCBI Perth project was a follow-up
survey of the wreck by ANMM and Arkenas in May 2019 (Hosty, Hunter, Adhityatama, &amp; Malliaros
2020). Results suggested that the wreck had been damaged further by a tsunami in Banten Bay in late
2018. Community consultations and capacity building were also considered to be essential
components of the MCBI in its original incarnation, due to the value of Perth not only as a grave site
and a historic site, but also as a source of tourism opportunities and sustenance for the local fishing
economy in Banten Bay. These consultations, involving Australian and Indonesian stakeholders, were
due to take place in Banten in 2020, and were intended to contribute towards the development of an
overall management plan for the wreck.
FRAMEWORK
Plans to undertake community consultations and capacity building were, however, temporarily, and
then permanently, disrupted by the COVID-19 pandemic. The challenges posed by COVID had a
severe impact on the project, with travel (both international and domestic), budgets, timelines, and
expectations all affected. In the absence of face-to-face activities, were the capacity building aspects
of the project still feasible?
Initially, consideration was given to engaging local enumerators to conduct community consultations,
but it was agreed that this would pose an unacceptable health risk to the enumerators themselves.
Instead, adapting the project required the development of methodological alternatives. This included
engaging more directly with key Indonesian collaborators to facilitate access within and beyond the
national level of government. In some respects, this approach serves the capacity building objectives
better, in that it allowed for deep and extended engagement with specific individuals. At the same
time, however, this reliance on certain stakeholders placed a significant imposition on their time and
commitments. This was a delicate balance and one that had to be negotiated with care.
Another consequence was a greater reliance on existing networks. This has served as a valuable
reminder of the importance of investing in relationships prior to any capacity building project. Strong
relationships don’t come about because of capacity building projects; successful capacity building
projects are the result of such relationships.
RESULTS
Due to the pandemic, and in lieu of face-to-face activities, the MCBI pivoted to support a range of
other events and programs. This was a complete reframing of what constitutes capacity building in a
travel- and budget-constrained environment, requiring a reconsideration of the purpose of such
3

�activities within the context of the MCBI project. The activities conducted as part of this pivot were
led by the author in her capacity as project consultant to the ANMM. To guide the re-design, the
project objectives–to balance Perth’s preservation requirements with its tourism potential–were front
of mind.
The first pivot activity was the Historic Shipwrecks Workshop Series, which ran online across five
modules in November 2020. The Series was designed to promote understanding among Indonesian
government stakeholders, academics, and diving practitioners about the significance of HMAS Perth
(I) and the necessity of working together to develop a plan to protect and preserve the wreck. It
attracted key representatives from the Ministry of Marine Affairs and Fisheries; the Ministry of
Foreign Affairs; the Ministry of Education and Culture; the Coordinating Ministry for Political, Legal
and Security Affairs; the Indonesian Navy; Indonesian Universities; and representatives from local
diving associations. Australian, Indonesian, and international experts presented on themes relating to
maritime heritage in Indonesia, sustainable management of WWII wrecks, and public education and
engagement.
The Historic Shipwrecks Workshop Series helped identify areas for further collaboration.
Subsequently, representatives from the University of Sydney and the ANMM met with representatives
from the Ministry of Marine Affairs and Fisheries (national level) and the Marine Affairs and
Fisheries Service in Banten (provincial level) to review and refine the draft management and zoning
plan (Rencana Pengelolaan dan Zonasi) for HMAS Perth (I).
To ensure access to knowledge for ongoing capacity building, Australia also supported the creation of
digital content that can be accessed online. This includes a limited podcast series called Perth’s
Stories (https://soundcloud.com/hmasperthi_asharedhistory). Produced and hosted by Australian and
Indonesian partners at the University of Sydney and the Ministry of Marine Affairs and Fisheries, the
podcast features survivors, descendants, historians, advocates, officials, scholars, students,
archaeologists and Banten Bay locals. The podcast series is readily accessible via major streaming
platforms including Spotify and Soundcloud.
The project team also developed a bilingual digital museum via an online portal, with the intention
that it would be made publicly available. The portal seeks to do justice to HMAS Perth (I) and its
communities by broadening the scope of our understanding of underwater cultural heritage
management beyond a conflict-centred approach to one that instead creates space for multiple
viewpoints, including not only survivors and descendants but also those who have lived with the
wreck in their waters for close to eighty years. It provides an entry point for members of the public
interested in learning more about both HMAS Perth (I) and Banten province, and features themes
including ‘The Battle of the Sunda Strait,’ ‘The Ship’s Bells,’ ‘Waters of Banten Bay,’ ‘View from
the Shore,’ ‘Sites of Pilgrimage, ‘The Pepper Sultans of Banten,’ and ‘Preserving a Wreck.’ A key
feature of the website is an option for members of the public to submit their own stories and photos of
Perth. The portal also provides links to Perth and Banten-related resources and websites.
Many of these activities and achievements have resulted from a project-based approach to maritime
heritage collaboration between Australia and Indonesia. However, Australia has also taken steps to
establish a more strategic and sustainable model of maritime heritage engagement. It has done so by
embedding bilateral collaboration within a revitalised whole-of-government approach, building on
previous ad hoc arrangements and ensuring ongoing future collaboration between Australia and
Indonesia on maritime archaeology research and underwater cultural heritage management.
CONCLUSION
As project managers, researchers, and educators reconsider what bilateral engagement looks like in a
post-pandemic world, this project also offers an opportunity to reassess what heritage will look like.

4

�First, COVID has forced us to face the problems of extractive research. We now rely on local
partnerships more than ever and must recognise the shared responsibility of these research
partnerships. This prompts the question of why we haven’t been doing this all along, and how we can
embed this as part of collaborative research practices in the future.
Second, given the healthcare and economic crises across the world, it is increasingly important to be
aware of why we are choosing to give time and resources to heritage. We need to not only have a keen
sense of why heritage matters at a time when there are so many competing priorities, but to be able to
communicate the value of heritage meaningfully and effectively. As the dismantling of confederate
and other pro-slavery statues in the United States in 2020 demonstrated, heritage is a flashpoint for the
biggest issues of our times. It is where these debates–about identity, inequality, privilege, opportunity,
modernity, colonialism, national ambition–come together, where the ideas and legacies of the past
intersect with the present and create both friction and opportunity.
Finally, COVID has accelerated the push toward digitisation and access for all. With museums closed
and travel banned, the need to digitise the past and make it accessible seemed to become more
pressing. At the same time, however, the embrace of digitisation raises many important questions that
we are yet to fully reckon with, such as the value we ascribe to authenticity (Lixinski 2022), and the
potential for open access data to be exploited for purposes other than those intended.
Although many decades have passed, the sinking of warships and the catastrophic loss of life that
accompanied their destruction continues to reverberate today as nations grapple with the complexities
arising from the presence of naval shipwrecks in foreign territorial waters. Cooperation and
collaboration are essential if this maritime heritage is to be managed for the future. HMAS Perth (I) is
a significant shipwreck for both Australia and Indonesia, and there is strong interest from both sides in
working together to ensure that we can do justice to its communities and continue to tell its stories for
the future. COVID forced us to think more creatively and more expansively about heritage and about
bilateral cooperation. Even as we continue to prioritise the protection and preservation of sites such as
HMAS Perth (I), we must also be cognisant of the broader questions about how heritage is being
used, and the opportunities, for better and for worse, it presents.
BIBLIOGRAPHY
Australian Government. (2018). Plan of Action for the Indonesia-Australia Comprehensive Strategic Partnership (20202024). https://www.dfat.gov.au/geo/indonesia/Pages/plan-of-action-for-the-indonesia-australia-comprehensivestrategic-partnership-2020-2024
Besser, L., Oakes, D., et al. (2013). HMAS Perth: WWII Warship Grave Stripped by Salvagers. Retrieved from
http://www.abc.net.au/news/2013-12-13/outrage-as-warship-grave-stripped-by-salvagers/5156320.
Burchell, D. The Bells of Sunda Strait. Adelaide: Rigby, 1971.
Hosty, K., Hunter, J., et al. (2017). Maritime Archaeological Investigation of HMAS Perth (1942) (THE HMAS PERTH
PROJECT 2017). Retrieved from Sydney; Jakarta: http://www.hmasperth.asn.au/drh0507/Perth_2017_Report.pdf
Hosty, K., Hunter, J., et al. (2020). Maritime Archaeological Investigation of HMAS Perth (1942) (THE HMAS PERTH
PROJECT 2019). Manuscript, Australian National Maritime Museum and Pusat Penelitian Arkeologi Nasional,
Sydney, Australia.
Lixinski, L. (2022). Against Authenticity. International Journal of Heritage Studies, 28(11-12), 1213-1227.
Pearson, N. (2023). Too Little, Too Late? Redefining the legacy of HMAS Perth (I), an Australian shipwreck in Indonesian
waters. Historical Archaeology, 57(1).
Perryman, D. J. (2017). HMAS Perth (I). Retrieved from http://www.navy.gov.au/hmas-perth-i.
Keputusan Menteri Kelautan dan Perikanan No.21 Tahun 2018 tentang Kawasan Konservasi Maritim HMAS Perth di
Perairan Provinsi Banten (Ministerial Decree from the Ministry of Marine Affairs and Fisheries No.21/2018
regarding HMAS Perth Maritime Conservation Zone in the waters of Banten Province), (2018).

5

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                  <text>Asia Pacific Regional Conference on Underwater Cultural Heritage&#13;
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                  <text>English</text>
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                  <text>Asia Pacific Regional Conference on Underwater Cultural Heritage&#13;
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            <name>Title</name>
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                <text>Capacity Building in the Time of COVID: The Case of HMAS Perth (I) </text>
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                <text>The topic of this abstract best fits within Session 4, ‘Underwater Cultural Heritage of World War II in the AsiaPacific Region: Discoveries, Opportunities &amp; Challenges’ because of the latter’s focus on World War II heritage&#13;
in the Asia-Pacific. The case study under consideration in this paper is that of HMAS Perth (I), an Australian&#13;
warship sunk in Indonesian waters in 1942. The focus of this paper is Australia’s maritime capacity building&#13;
initiative for the wreck of Perth (I), and the challenges and opportunities of advancing this project in the time of&#13;
COVID-19. While some projects lent themselves to being conducted online, many others were forced to reevaluate their feasibility entirely. This paper considers the changes wrought by COVID-19 on conventional&#13;
heritage capacity building and management models, and the extent to which these models still apply. As it&#13;
proposes, the limitations posed by the pandemic on capacity building projects created space for more inclusive&#13;
and enduring knowledge building approaches, which elevated local stakeholders and, arguably, contributed to&#13;
more sustainable outcomes in the long-term. At the same time, however, broader questions remain about the&#13;
uses of digital heritage in a connected world.</text>
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            <name>Creator</name>
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                <text>Natali Pearson</text>
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                <text>The Museum of Underwater Archaeology</text>
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                <text>2023</text>
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                <text>Pearson, Natali. 2023. “Capacity Building in the Time of COVID-19: The case of HMAS Perth (I).” Edited by Jennifer Craig, Jay Mok, T. Kurt Knoerl, and Alexis Catsambis. In Proceedings of Fifth Asia Pacific Regional Conference on Underwater Cultural Heritage: Gwangju, The Republic of Korea, November 13-18 2023. The Museum of Underwater Archaeology.URL: https://apconf.omeka.net/exhibits/show/apconfproceedings/item/1900 </text>
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        <name>Asia-Pac Session 4 2023</name>
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