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                  <text>2021 Session 2: History and Current Trends of Underwater Archaeology around East Asia</text>
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                <text>Japanese Boatbuilding</text>
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                <text>Brooks, Douglas. 2021. “Japanese Boatbuilding.” Edited by Brian Fahy, Hans Van Tilburg, Bill Jeffery, T. Kurt Knoerl,&#13;
and Riley Smith. In Proceedings of Fourth Asia Pacific Regional Conference on Underwater Cultural Heritage:&#13;
Keelung,Taiwan, and Virtual, November 1-5, 2021. The Museum of Underwater Archaeology URL:&#13;
https://apconf-much.org/proceedings/exhibits/show/apconf-muchproceedings/item/666</text>
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                <text>The craft of boatbuilding in Japan is in crisis. Nurtured by an ancient apprentice system, Japan’s rapid growth&#13;
in the post-War years disrupted this tradition. The last century was a pivotal time for this craft: the devastation&#13;
of World War II forced one more generation to assume the work of their fathers, but the rapid recovery and&#13;
ascendance of the Japanese economy starting in the 1960’s pulled the children of these men into the corporate&#13;
jobs of a new Japan. In a single generation the apprentices the craft depended on disappeared. Without a new&#13;
generation of apprentices, craftspeople were unable to pass on their knowledge. Because this was largely an&#13;
oral tradition, and infused with secrecy, it presents particular challenges for documentarians. It is critical now&#13;
to document the work of Japan’s last generation of boatbuilders. Over the course of twenty-five visits to Japan&#13;
spanning twenty-nine years I have apprenticed with seven boatbuilders from throughout Japan. In addition, I&#13;
have traveled to all of Japan’s forty-seven prefectures, meeting and interviewing over fifty boatbuilders. My&#13;
teachers were in their seventies or eighties at the time I studied with them, and I am the sole apprentice for six&#13;
of my teachers. Most of my teachers used no drawings whatsoever, and worked entirely from memory.&#13;
Drawings, where they did exist, were left intentionally incomplete. The goal of my work has been to document&#13;
as much as I can - essentially writing the secrets down - in an effort to preserve the designs and techniques of&#13;
boatbuilding. In this talk I will review the challenges, processes, and insights I have gleaned from this work.&#13;
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